Antique and Silver and Plate, Tea and Coffee Set, Tea Tray

PLATED

Assorted Plate, comprising: two Salvers, 12 and 10in.; pair of Coasters, part pierced circular, turned wood bases; Entree Dish, oblong; Rose Bowl, hemispherical, Celtic borders, grille; Coffee Jug; two Hot Water Jugs; Teapot; Basket, circular; twelve assorted Wine Cups; two pint Mugs; half-pint Mug; Flask; Toast rack; Spirit Tot; six Liqueur Cups (case); six pairs of Fish Knives and Forks (case) and twelve piece  s of Flatware.

A four piece   Tea and Coffee Set, Art Deco style vase shaped, the pots with composition handles and buttons, and a Tea Tray, plain oval, gallery border, bun supports, loop handles    .

Assorted Plate, comprising: four piece   Tea and Coffee Set, engraved fluted circular and baluster; Siphon Stand, pierced cylindrical, and a Hot Water Jug, part lobed campanile shaped, stag horn handle.

A Tea Tray, cut-cornered oblong, formal band stamped within a gallery border, bar handles, bun supports, 25in.

A Breakfast Dish, pain oval revolving cover, fluted strap supports with paw and ball feet, with liner and drainer.

A pair of Table Candlesticks, concave square bases, column stems, Corinthian sconces with detachable nozzles, gadroon borders, 93Ain.

A pair of three light Candelabra, circular bases, flared stems, serpentine branches with thistle shaped sconces, circular drip pans and nozzles, flame finals, 17 5Ain.

A pair of Coasters, circular, foliate shell borders, turned wood bases with vacant central bosses, and a pair of Fish Servers, bone handles (case).
A Dessert Basket, lattice pierced and festoon embossed boat shaped, Hon mask and drop ring handles, 127 dn.

A set of four Table Candlesticks, circa 1820, circular bases, knapped flared stems, campanile shaped sconces and assorted nozzles, stiff leaf and foliate scroll border applied throughout.

Assorted Plate, comprising: Tea Kettle on lamp stand, part fluted oval, ivory swing handle, with burner; three piece   Tea Set, pain oblong, the pot with composition button and burner; Sugar Basin, part ribbed oval; Desk Clock, circular above a Mercury figure stem and spreading base, and a Snuffers Tray, flat-chased shaped oblong.

A pair of three light Candelabra,
circa 1840, shaped circular bases, knapped
baluster stems, foliate scroll serpentine
branches flanking the central higher lights,
with inverted pear shaped sconces, shaped
circular drip pans and nozzles, flame finials,
applied scroll and cartouche borders
throughout.

Assorted Plate, comprising: four piece   Tea and Coffee Set, scroll engraved compressed circular and baluster; three piece   Tea Set, plain oval with shaped collars, and an individual Entree Dish, circular, beaded borders, ail pots with composition handles and buttons    .

Assorted Plate, comprising: Salver, engraved circular, 12in.; plate-mounted cut-glass Claret Jug, tapered cylindrical, 12in.; pair of Entree Dishes, oval, beaded borders; pair of Butter Knives and Jam Spoons (case), and six pairs of Dessert Knives and Forks.

Assorted Plate, comprising: pair of Entree Dishes, oblong; two other examples, oblong and oval, gadroon borders; Hot Water Jug, tapered cylindrical; Toast rack and a Christening Can  .

A pair of three light Candelabra, circa 1830, circular bases rising to knapped  flared stems, serpentine receded branches with campanile shaped sconces, circular drip pans and nozzles, gadroon borders throughout, 20in.

A Tea Tray, oblong, scroll flat-chased within a lattice pierced and festoon applied border, loop handles, 26in.

Another Tea Tray, cut-cornered oblong, formal scroll band engraved within a beaded border, angular handles. 22in.

Assorted Plate, comprising: Snuffers Tray, initialled oblong; set of nine Napkin Rings; twelve pairs of Fish Knives and Forks, bone handles; ten Dessert Knives and twelve Forks (case), and a silver Christening Knife, Fork and Spoon, circa 1810, mother o’ pearl handles.

A Tea Tray, circa 1815, oblong, armorial engraved within a broad band of flat-chased foliage, applied gadroon and shell border, similar loop side handles (wood case), 29m.

A Wine Cooler, circa 1815, plain campanile shaped, with foliate loop side handles above a spreading foot, gadroon rim, detachable collar and liner, 93in.

BLACK ENAMELED SILVER CIGARETTE BOX, Cartier, SILVER SPICE-BOX AND A SILVER ETROG CONTAINER, SILVER PICTURE FRAMES, SILVER CENTERPIECE BOWL

PAIR OF ENGLISH SILVER-PLATED THREE-
LIGHT CANDELABRA, early 20th century, silver-on-
copper, the drip-pans, sconces, stems and bases of boat-
form section, with reefed bands and curling branches,
bases weighted. H.

SET OF FOUR GEORGIAN SILVER WINE COASTERS, London, late 18th/early 19th century, each with turned wood base, the sides pierced and engraved with scrolling flowering vine between

engraved wriggle work, with beaded lip, marks obscured, one with date letter for either 1781 or 1821.

PAIR OF ENGLISH GEORGE II STYLE SILVER
CANDLESTICKS, Crichton Bros., London, 1928, the
square bases with incurved angles, with conforming
baluster stems and banded sconces, removable drip-
pans, weighted.

ART DECO BLACK ENAMELED SILVER CIGARETTE BOX, Cartier, circa 1925, rectangular with rounded corners, the hinged lid applied with gold monogram CHB, opening to reveal gilt

interior, signed Cartier, in fitted Cartier box. Together with a French gold-mounted tortoiseshell cigarette case, circa 1910, rectangular, applied with gold letters HC in a

diamond, an English silver vinaigrette, late 18th or 19th century, of rectangular reefed cushion-form, with gilt interior and grill, marks obscured, a French silver small box,

19th century, with engine-turned hinged lid, a traveling silver cork screw, of etui form with pendant ring, a rose quartz, cut glass and tortoiseshell parasol handle, and a

carved ivory letter opener.

GROUP OF SILVER TABLE ARTICLES,
comprising: a Dutch spoon, maker’s mark TM in
monogram, Groningen, 1651, with rat-tail bowl,
pomegranate finial, engraved on back of bowl MA &
PH, an American water pitcher, Gorham Mfg. Co.,
1907, of oval section, with fluted lower body, molded
lip, monogrammed LVH, 2 American porringers, one by
Duhamel & Co., the other by Rogers, Lunt & Bowled Co.,
both with pierced handles, and an American cigarette
box in the form of a late 18th century tea caddy, with
carved ivory cone finial, 40 gross. L.

FOUR CONTINENTAL AND ENGLISH SILVER
TABLE ARTICLES, the first a French Rococo style
centerpiece bowl, Paris, circa 1900, oblong, reposes,
chased and applied with flowers, foliage, scrolls and
shell work, with 4 scroll cartouches containing musical
and horticultural trophies and monogram EPG, on 4
leafy scroll legs capped with female masks and
shell work, the second a German Rococo style
centerpiece, E. Goldschmidt, circa 1900, oval, with
pierced scroll and shell work rim, applied with 2 foliate
scroll handles, on 4 openwork scroll feet, the center
chased with rococo cartouches, the third a German
Neoclassical style mounted clear glass centerpiece,
early 20th century, oval, with reed-and-tie border, harp-
shaped handles, reticulated sides, and the last a cake
basket, possibly H. Woodward & Co., Sheffield, 1859, of
shaped circular form, applied and pierced with foliate
scrolls, with upright swing handle, engraved with
interlocking initials GBD, 106 excluding glass liner.

GERMAN SILVER PART DESSERT SERVICE,
with scroll edged handles, comprising: 12 cake forks, 12
teaspoons, 13 ice cream spoons, 12 fruit forks, 5 serving
spoons, 5 serving slices, 2 fish knives and a pair of sugar
tongs, 83 weighable silver.

CONTINENTAL SILVER SPICE-BOX AND A SILVER ETROG CONTAINER, the first possibly German, late 19th/early 20th century, of inverted pear form, chased with flowers at intervals, the

detachable cover with spread-winged bird and bell finial, the detachable leafy and flowering stem applied with a lion rampant and a bird, all on domed base repose and chased

with flowers and foliage, the second, early 20th century, of ergo form, on 4 ball feet, the hinged lid repose and chased with fruit and foliage, engraved with Hebraic

inscription, 17H.

CONTINENTAL SILVER HANUKAH LAMP, the
arched back plate surmounted by a crown, embossed and
chased with 2 lions flanking the Decalogue on a
starburst ground and with flowers and foliage, the
rectangular base with 8 crowned lion-form oil
receptacles, on 4 leafy panel feet, struck with London
import marks, with a silver lion-form servant light.

THREE RUSSIAN ICONS WITH SILVER
OKHLADS, the first of Christ Pantocrator, with
repose and chased parcel-gilt okhlad, P. Ovchinnikov,
Moscow, 1878, the second of St. Nicholas, with parcel-
gilt okhlad, Cyrillic maker’s mark DG, Moscow, 1893,
and the third of 2 selected saints, male and female,
under Christ in clouds, with silver and cloisonne
enamel okhlad, Moscow, 1881. Together with an icon
with silver-plated okhlad, of 4 selected saints flanking a
gilt and enamel crucifix below Christ in clouds and 2
angels. H.

PAIR OF CONTINENTAL EMPIRE STYLE
SILVER TWO-LIGHT CANDELABRA, probably German,
circa 1825, each on domed circular base with band of
berried foliage, rising to tapering standard with 4 paw
feet and Egyptian male head, surmounted by 2 branches
capped with scrolling leaves, terminating in sconces and
drip-pans with gadroon rims, apparently unmarked, 29
H.

SIX SILVER PICTURE FRAMES, all
rectangular, 2 with double oval apertures, one with
reefed border, with easel supports. H.

SIX SILVER PICTURE FRAMES, five
rectangular, one oval, one with reefed border, with
easel supports. H.

INDIAN COLONIAL SILVER CUP AND COVER,
George Gordon & Co., Madras, circa 1830, of camping
form, the lower body with fluting alternating with
trefoils, the rim of the lid, the knap and the domed foot
chased or applied with bands of stylized foliage, the
shoulder and lid applied with grapevine, with bud finial
centered by leaves, engraved with crest, gilt interior,
27 H.

HUNGARIAN SILVER SEDER PLATE AND A
CONTINENTAL SILVER ETROG CONTAINER, 20th
century, the first circular with crenulated rim, the
flange embossed with 2 vignettes relating to Passover,
alternating with fruit clusters, the center embossed
with the order of the Seder in Hebrew, the second of
oval section, embossed with bands of flowers and
foliage, on 4 fruit-and-paw feet, the hinged domed lid
with fruit finial, engraved with inscription in Hebrew,
42 L.

GEORGE III SILVER SAUCEBOAT, maker’s mark rubbed, London, 1770, of oval bombe form with gadroon rim, multi-scroll leaf-capped handle, on 3 scroll supports headed and resting on

shells, engraved on one side with the arms of the 4th Earl of Sandwich and the motto Post Tot Naufragia Portum, and on the other with a crest under an earl’s crown, 15 L.

A PAIR OF SHEFFIELD PLATED COVERED
SAUCE TUREENS, circa 1820, each of oval bombe form,
on 4 leaf-capped paw feet, with gadroon edge, leaf-
capped reefed handles and scroll loop finials. L.

AMERICAN SILVER CENTERPIECE BOWL,
early 20th century, circular, on pedestal foot, the
reverted rim applied and pierced with flutes, laurel
swags, floral pendants and scrolling foliage, the body
and foot engraved with conforming decoration, 58
D.

A PAIR OF SHEFFIELD PLATED SAUCE BOATS
AND A WATER PITCHER, circa 1830, each of the first
of fluted boat form on spreading oval pedestal foot,
applied with shells and scrolls, with leaf-capped scroll
handle, the second ovoid on shaped square base, 4 shell
and foliate scroll feet, the rim, shoulder and knops
applied with bands of shells and scrolling foliage, with
reefed leaf-capped multi-C-scroll handle, the lower
body engraved with flowers, scrolls, shell work and
grape bunches on a matte ground. H.

FRENCH SILVER-PLATED FLATWARE, SHEFFIELD PLATED THREE-LIGHT CANDELABRA, ENGLISH SILVER FLATWARE

FRENCH SILVER-PLATED FLATWARE
SERVICE, Christophe, in the Shell-and-Thread pattern,
comprising: 12 dinner knives, 12 dinner forks, 12 fish
knives, 12 fish forks, 12 oval soup spoons, 12 luncheon
forks, 11 luncheon knives, 12 teaspoons, 12 butter
spreaders, a serving fork and a pie slice, in fitted wood
case.

AMERICAN SILVER-PLATED HOT WATER
URN AND AN ENGLISH SILVER-PLATED HOT WATER
KETTLE ON STAND WITH BURNER, the first circa
1800, of urn form with concave corners, on square base,
4 ball feet, with partly reefed loop handles, the
conforming domed cover with detachable ball finial, the
front with engraved draped armorial, with interior
warming cylinder, unmarked, the second by Ellington
Co., circa 1880, of oval section, with beaded rims,
engraved with bands of fretwork, the flat hinged lid
with ivory finial, the upright swing handle with ivory
supports.

A PAIR OF SHEFFIELD PLATED THREE-LIGHT CANDELABRA, circa 1815, of vase shape, detachable reefed arms, all decorated with shells, gardening and vertical flutes, detachable

nozzles.

CONTINENTAL SILVER KIDDUSH CUP AND A
SILVER BUG-FORM SPICE CONTAINER, the first late
19th century, the bell-form cup repose and chased
with scrolling foliage, the stem in the form of a lion
rampant holding a shield with Hebraic presentation
inscription, on domed and tiered scalloped base, gilt
interior, the second standing foursquare, the body and
wings engraved with details, with removable pierced
head, 11 H.

RUSSIAN SILVER ETROG CONTAINER, St. Petersburg, 1870, of trunk form on 4 bracket feet, with engine-turned ground, engraved with simulated leather straps and a strap work

cartouche, with padlock-shaped thumb piece, gilt interior, 14 L.

ENGLISH ART DECO SILVER LARGE
PICTURE FRAME, Sanders & Mackenzie, Birmingham,
1928, rectangular, with a diamond motif at the
midpoint of each side on engine-turned ground, with
wood easel support. H.

SHEFFIELD PLATED COVERED ENTREE DISH
ON WARMING STAND AND A DISH CROSS, circa
1820, the first rectangular, with rounded corners, raised
on 4 foliate-capped paw feet, with foliate and shell
reefed handles, gadroon borders, the second with
beaded oval feet, matching burner, shell supports. L.

PAIR OF SHEFFIELD PLATED THREE-LIGHT
CANDELABRA AND A PAIR OF CHAMBER
CANDLESTICKS, circa 1810/25, the first each with
circular base rising to vase-shaped stem and company-
shaped sconces, detachable branches and 2 spiral reefed
arms rising to conforming sconces, drip-pans and
detachable nozzles, central light with detachable bud
finial, gadroon rims and borders, the second each
circular with molded floral, foliate and shell rims,
company-form sconces, with matching detachable
nozzles, scroll handle capped with anthem ion,
detachable matching conical extinguishers.

GROUP OF AUSTRIAN SILVER TABLE
ARTICLES, Vienna, comprising: a pair of three-light
candelabra, late 19th century, the tiered domed bases
engraved with belt-form cartouches alternating with
engine-turned panels, rising to paneled baluster stems
engraved with intersecting strap work, the detachable
branches with double scroll arms terminating in tulip-
form sconces, the matching central sconces with
detachable bird-form finials, a shaped oval tray, late
19th century, molded rim, engraved with engine-turned
if or m panels and stylized foliage, and a large cigar
box, possibly by Eduard Friedman, early 20th century,
rectangular with rounded corners, plain surface, matte
gilt and wood lined interior, 110 gross.

FOUR SHEFFIELD PLATED TABLE
ARTICLES, circa 1810-35, comprising: a pair of wine
coasters, each circular with gadroon rim, wood base, a
coffee pot, of pear form, embossed and chased with
flowers, foliage and scrolls on a matte ground, with
acanthus-capped spout, wood handle, the collar applied
with foliate scrolls and shells, the domed hinged lid
with leafy finial, and a salver, circular with gadroon
rim, on 3 gadroon scroll feet, the center engraved with
boar’s head crest. D. of first and last 6 and 10″ H.

GROUP OF ENGLISH SILVER FLATWARE,
comprising: a pair of gravy ladles, Thomas Death,
London, 1826, Fiddle pattern, another pair of gravy
ladles, William Eaton, London, 1834, Fiddle pattern,
engraved with crests, a pair of two-pronged forks,
Richard Turner, London, 1804, Old English pattern, the
backs engraved with crests, a fish slice, possibly
William Elliott, London, 1815, with pierced blade, ivory
handle engraved with crested monogram TAC, and a
pair of fish servers, maker’s mark HA, Sheffield, 1878,
the oval handles with rococo cartouches and gadroon
edge, the blades and tines engraved with foliage, 12
weighable silver.

FRENCH SILVER FLATWARE SERVICE,
Cadillac, Paris, circa 1900, with stylized dog-nose
terminals, acanthus banding, the spoons with trefoil
strap work rat-tails, applied on the back of the handles
with Medieval style initials, comprising 12 of each of
the following: dinner knives, dinner forks, luncheon
knives, luncheon forks, dessert spoons, oval soup spoons,
and 6 fish knives and 6 fish forks, in case, 133
weighable silver.

PAIR OF SHEFFIELD PLATED THREE-LIGHT CANDELABRA AND A PAIR OF LARGE CANDLESTICKS, circa 1830, the first each on domed circular base rising to tapering cylindrical stem, with

bands of shells and strap work, the detachable branches with curling reefed arms, conforming drip-pans, tulip-form sconces and nozzles, with detachable flame finial, the second

each of fluted baluster form, embossed with scrolls and acanthus, with tulip-form sconces, detachable nozzles.

PAIR OF GEORGE III SILVER OCTAGONAL ENTREE DISHES AND COVERS, Thomas Heming, London, 1766, with gadroon rims and scroll handles, matching domed covers engraved with armorials on

one side and vacant cartouches on the other, ring finials, marked on bases and covers, 54 W.

AMERICAN NEOCLASSICAL STYLE SILVER
COFFEE POT, circa 1865, of pear form on pedestal
foot, applied with bands of beads and overlapping
roundels, the spout and C-scroll handle capped with
leafy oval medallions, the latter with scrolling foliate
terminals and ivory supports, the hinged domed cover
with swan finial, monogrammed CLM, unmarked, 39
gross. H.

FIVE SILVER LADLES, unmarked, probably
English, late 18th century, comprising: a pair of gravy
ladles and a matching soup ladle, possibly Irish, in
Onslow pattern, with shell bowls, scroll terminals,
another soup ladle with shell bowl, oval handle bright-
cut with monogram TAH and crest, and a toddy ladle
with mounted wood handle, the bowl set with a coin
dated 1787, 17 gross.

GROUP OF AMERICAN AND CONTINENTAL
SILVER SPOONS, including: 12 teaspoons, The Dumez
Co., Cincinnati, circa 1900, with plain tipped handles,
monogrammed RR, 6 German table spoons, Nuremberg,
mid-19th century, with plain handles monogrammed
BLS, 8 demitasse spoons, Reed & Barton, in the French
Antique pattern, monogrammed SR, a pair of table
spoons, John Lynch, Baltimore, early 19th century,
plain handles monogrammed JH, a pair of teaspoons,
Wallace Bros., late 19th century, fiddle tipped handles,
monogrammed MJF, 8 teaspoons, unmarked, plain
handles, monogrammed HB, and 6 other spoons.
Together with 2 Victorian silver condiment spoons,
London, 1843 and 1888, 3 American silver forks, C.
Bard & Co., Philadelphia, and another American silver
fork.

A AMERICAN SILVER FLATWARE SERVICE,
International Silver Co., in the Joan of Arc pattern,
comprising: 6 dinner knives, 6 dinner forks, 8 soup
spoons, 8 salad forks, 6 butter spreaders and 8
teaspoons, monogrammed S. Together with a set of 12
teaspoons, Gorham Mfg. Co. 19th century, in the
Colonial pattern, monogrammed JAP, 51 excluding
knives.

PAIR OF CHINESE SILVER PITCHERS, in the
form of archaic bronze cheers, signed on bases. 33
H.

AMERICAN SILVER FOUR PIECE COFFEE SERVICE, Gorham Mfg. Co., circa 1885, retailed by C & M, comprising: coffee pot, creamer, two-handled covered sugar bowl and two-handled waste

bowl, the lower bodies repose in ‘Kirk’ style with flowers and foliage on matte ground, under bands of overlapping roundels, with leaf-capped ring handles, the repose covers

with butterfly finials. Together with a similar American silver kettle on stand with burner, Gorham Mfg. Co., 1887, with upright fixed handle, ivory supports, repose allover

with flowers and foliage, the stand on 4 shell panel feet, engraved with interlocking initials SH.

FOUR AMERICAN SILVER TABLE ARTICLES,
comprising: a child’s porringer, Gorham Mfg. Co., circa
1930, the sides etched with panels of children at a table
or saying prayers and with poem, the handle etched
with a bunny in a basket, the base with presentation
inscription and date, gilt interior, a dessert stand,
Jacobi & Jenkins, Baltimore, circa 1900, the oval bowl
and foot repose and chased with flowers and foliage,
the rayed center monogrammed FCSS, a bowl, S. Kirk &
Son, circa 1930, with plain surface, molded lip, the
center engraved JEA, and a covered box, Gorham Mfg.
Co.,

SILVER-PLATED THREE-LIGHT CANDELABRA, AMERICAN SILVER-MOUNTED DRESSING TABLE ARTICLES, SILVER FIVE PIECE TEA AND COFFEE SERVICE, Gorham Mfg. Co.

GROUP OF AMERICAN SILVER FLATWARE,
Gorham Mfg. Co., comprising: 9 luncheon forks, 12
teaspoons and a serving spoon, circa 1883, in the Cluny
pattern, the backs engraved FES, a baby’s fork and
spoon, circa 1895, and a child’s fork and knife, in the
Chantilly pattern, the latter monogrammed E, 12
strawberry forks, circa 1897, in the Strasbourg pattern,
monogrammed HMB. Together with a pair of silver-
plated serving spoons. Gorham, in the Kings II pattern.

NINE AMERICAN SILVER TABLE ARTICLES, Gorham Mfg. Co., comprising: a bowl, 1926, circular, the reticulated rim engraved with floral swags, the center monogrammed GD, a sugar

basket, 1927, in the same pattern, with upright fixed handle monogrammed GD, with blue glass liner, a plate 1925, with pierced border, monogrammed D, a pair of vegetable dishes,

1950/1, each oval, with gadroon rim, a bread dish, oval, with gadroon rim, a plate, plain surface, with molded rim, a small bowl, plain with molded rim, and a small coaster,

1895, circular, with pierced gallery, on leaf-and-scroll panel feet, monogrammed FES, 74 excluding liner. L.

NINE AMERICAN SILVER TABLE ARTICLES, comprising: a pair of vases, S. Kirk & Son, early 20th century, each of trumpet form, repose and chased with flowers, cat-o-nine tails and

ferns, another pair of vases, The Lording Andrews Co., of trumpet form with wavy rim, flat-chased with foliate scrolls and rose pendants, with monogram JEA, weighted bases,

another vase, S. Kirk & Son., circa 1930, of plain flaring form, engraved JEA, a pair of small compotes, La Pierre Mfg. Co., the rim and foot with demy-rosettes alternating with

trefoils, weighted bases, another compote, Cornwell, with reticulated border, gadroon rim and foot, and a small footed bowl, Schweitzer Silver Co., with gadroon rim. Together

with an American silver overlay clear glass pitcher, Alvin Corp., with grapevine design and cartouche monogrammed GES.

ENGLISH SILVER-PLATED SIX PIECE TEA AND COFFEE SERVICE, comprising: coffee pot, teapot, hot water kettle on stand with burner, creamer, two-handled covered sugar bowl and waste

bowl, each of melon form, on 4 shell-and-scroll panel feet, with leaf-capped C-scroll handles, engraved with crest and initial S. Together with the following American

silver-plated table articles: a bowl, Reed & Barton, 1953, Revere style, monogrammed JEA, a water pitcher, monogrammed D, 2 shell-form ashtrays, engraved with crests, and a

toast rack. H.

A GROUP OF AMERICAN SILVER-PLATED TABLE ARTICLES, comprising: a two-handled tray, an oval platter, a shaped oval platter, a compartmented entree dish, a circular tray, a shaped

circular platter, all by International Silver Co., with gadroon rims, a covered entree dish, Poole, and a tizzy, both with gardening. L.

AMERICAN SILVER FIVE PIECE TEA AND
COFFEE SERVICE, Gorham Mfg. Co., 1927, comprising:
coffee pot, teapot, creamer, two-handled covered sugar
bowl and waste bowl, each of rectangular octagonal
section, with insolated harp-shaped handles,
monogrammed GD, 63 gross. H.

TWO PAIRS OF SILVER-PLATED THREE-LIGHT CANDELABRA, the first with gadroon border, the reefed curling branches with foliate knops, the second with bands of flowers, foliage and

shells, removable flame finials, both convertible to candlesticks. Together with a silver-plated snuffer, the cone in the form of a lighthouse. H.

GROUP OF AMERICAN SILVER SERVING
UTENSILS, comprising: a pair of salad servers, Wood &
Hughes, circa 1375, retailed by S. Hyman & Co., the
fan-shaped handles flat-chased with arabesques, a berry
spoon and a jam spoon, Whiting Mfg. Co., circa 1874, in
the Indian pattern, monogrammed L, a gravy ladle
Whiting Mfg. Co., circa 1895, in the Pompadour
pattern, monogrammed FCL, a berry spoon, retailed by
J.E. Caldwell, circa 1870, the gilt bowl bright-cut with
foliage, an olive spoon and a pair of sugar nips, Gorham
Mfg. Co., in the Plymouth pattern, and a jam spoon,
Gorham Mfg. Co., circa 1897, in the Lancaster Rose
pattern. Together with a Danish silver cheese knife,
Georg Jensen, in the Cactus pattern, and a Norwegian
silver cheese plane, David-Anderson. 12 weighable
silver.

AUSTRIAN SILVER THREE PIECE COFFEE
SERVICE WITH WOOD TRAY, J.C. Kinloch, Vienna,
late 19th century, comprising: coffee pot, creamer and
two-handled sugar bowl, each of pear form with
swirling lobes, the pot and creamer with carved wood
leaf-capped C-scroll handles, the creamer and sugar
bowl with gilt interior, the tray of oval cartouche form,
all in original fitted case. Together with a similar
German silver coffee pot, circa 1900. 42 gross
excluding tray.

GROUP OF AMERICAN SILVER TABLE ARTICLES, comprising: a water pitcher, Gorham Mfg. Co., 1950, ovoid, with gadroon shoulder and foot, leaf-capped C-scroll handle, a plate, Roger

Williams Silver Co., early 20th century, retailed by Bigelow, Kennard & Co., the border pierced and chased with scrolling foliage, flowers and latticework, a small child’s mug,

Waterloos Mfg. Co., circa 1906, with beaded lip, engraved Frederick/’06, 2 small bowls, Durbin Division of the Gorham Mfg. Co., both with embossed foliate borders, a small

plate, Frank M. Whiting Co., with plain surface, a child’s mug, maker’s mark EHB, circa 1931, with presentation inscription, and 4 other small bowls, one weighted, 72 weighable

silver. (11)

GROUP OF AMERICAN SILVER-MOUNTED DRESSING TABLE ARTICLES, comprising: a hand mirror and brush, Gorham Mfg. Co., 1896, each repose and chased in ‘Kirk’ style with flowers and

foliage, the first with monogram HMB, a hand mirror, brush and comb, Gorham Mfg. Co., a covered cut-glass jar, Woodside Sterling Co., a clothes brush, monogrammed WJD, another

cut-glass jar and a picture frame, no maker’s mark. Together with a pair of American 14kt. gold mounted cut-glass perfume bottles, Gorham, monogrammed HS, and an American

silver-mounted cut-glass inkwell on silver stand.

FIVE AMERICAN SILVER TABLE ARTICLES,
comprising: a bowl, Tiffany <Sc Co., 1907-1938, with
shaped circular reverted rim applied with band of
intersecting ribbon work enclosing rosettes,
monogrammed GSD, a plate, Tiffany & Co., 1947-1956,
of shaped circular form, with molded piecrust rim, a
footed bowl, Frank M. Whiting Co., retailed by Black,
Starr & Frost, with wavy averted rim, gadroon edging, a
bowl, International Silver Co., circular, with embossed
floral rim, monogrammed GKD, and a small plate,
Wallace, plain, with molded rim, 73 L.

GROUP OF CONTINENTAL SILVER TABLE ARTICLES, comprising: a pair of roosters, each with realistic feather details, a covered soup tureen, of lobed oval form, embossed, chased and

engraved with clusters of flowers, on 4 scrolling foliate feet, the domed cover with floral spray finial, a two-handled bread dish, embossed and chased with recoilless, the

center with 2 children near a ruin, and a caster, in the form of a standing cup, with dolphin-form standard, cupid finial, 132 L.

TWO PAIRS OF AMERICAN SILVER THREE-
LIGHT CANDELABRA, with gadroon borders, the first
by Gorham Mfg. Co., convertible to candlesticks, the
second by Presser, each weighted. H.

GROUP OF MEXICAN SILVER ARTICLES, comprising: a cigar box, rectangular, with plain surface, the hinged lid monogrammed JEA, with cedar-lined interior, a child’s porringer,

Suborns, the center engraved with 2 baby ducks, a small plate, Suborns, the border engraved with flowering vine, and a letter opener with carved jadeite handle. Together with a

Continental silver serving spoon, the flat handle in the form of a court lady, and a Continental lady’s shoe, 13 excluding box and opener. L.

GROUP OF SILVER ARTICLES, mostly
American, comprising: 6 napkin rings, an eyeglass case,
2 pill boxes, 2 matchbox covers, a salt, a child’s mug, a
lighter in the form of a chamber stick, 2 covered glass
condiment pots with matching spoons, 2 sets of 4
casters, 4 pairs of sugar nips, another caster, 2
ashtrays, 41 spoons and forks, and 9 servers. Together
with a silver-plated napkin ring. 83 weighable
silver.

THREE PAIRS OF AMERICAN SILVER
CANDLESTICKS, one by Gorham Mfg. Co., with
gadroon bases and fixed nozzles, another by Black,
Starr & Gorham, circa 1940, plain, and the third by
Duchy, with baluster stems, gadroon bases, all
weighted. Together with an American silver
candlestick, Gorham Mfg. Co., 1925, of faceted
baluster form, weighted, and with a pair of silver-
mounted cut ruby flashed glass hurricane shades. H.

GROUP OF AMERICAN SILVER FLATWARE, comprising: 6 dinner forks, 6 dinner knives, 6 teaspoons and 2 serving spoons, Towel Mfg. Co., in the Old English pattern, 5 teaspoons,

Dominick & Huff, retailed by Wm. Wise & Sons, in the Victoria pattern, 6 fruit spoons, International Silver Co., in the New Margaret pattern, 2 round soup spoons, Alvin Co., in

the Majestic pattern, 7 teaspoons, Frank Smith Silver Co., retailed by F.G. Polly, with bright-cut oval handles, one engraved May, a teaspoon, Reed & Barton, Les Cling Fleur

pattern, a teaspoon, Gorham Mfg. Co., Chant lily pattern, a teaspoon, Towel Silversmiths, Old Colonial pattern, a small serving fork, Whiting Mfg. Co., Louis XV pattern, a

child’s fork and spoon, International Silver Co., Joan of Arc pattern, 12 silver-gilt and enamel demitasse spoons, Gorham, a teaspoon, Gorham, Lancaster Rose pattern, 2

teaspoons, Gorham, Strasbourg pattern, and 2 sugar spoons, S. Kirk, Repose pattern, various monograms, 47 excluding knives.

GROUP OF AMERICAN AND ENGLISH
SILVER-PLATED TRAYS AND PLATTERS, comprising:
a two-handled galleried tray, a two-handled octagonal
tray, monogrammed GD, 2 small well-and-tree platters,
a two-handled elongated rectangular tray,
monogrammed GSD, a circular tray, engraved with
crest, a compartmented circular dish, applied with
grapevine at the rim, and 2 circular salvers on scroll
feet.

LARGE GROUP OF SILVER-PLATED TABLE
ARTICLES, comprising: a Georgian style 3-piece
coffee service, a cocktail shaker, a coffee pot, a
teapot, a water pitcher, a shaped rectangular salver, 2
covered entree dishes, 2 open vegetable dishes, a small
covered vegetable dish, a 4-piece coffee service, a
small oval salver, a pair of book ends, a sauceboat with
attached under plate, a circular dish, a shaped
rectangular dish, 2 shallow bowls, a 3-panel table
screen, a creamer, a child’s mug, 2 casters and 2
matching salts, with one liner, a dinner bell, 2 ashtrays,
a burner, a rectangular stand, and 39 flatware articles.

BACHELORS OVAL TEAPOT, LARGE CYLINDRICAL TANKARD, TABLE SILVER CANDLESTICKS, CIRCULAR SILVER SALVER, SILVER CRUET

AN OBLONG SNUFFERS TRAY, engraved with а crest, motto and initials, gadroon, shell and foliate border, 9in. , circa 1810.

A BACHELORS OVAL TEAPOT and matching Stand, the pot moulded with a horizontal rib bright-cut with trailing foliage above a crested roundel, straight spout, domed lid and button

finial, the stand similarlv crested, on four panei supports, corded borders throughout, the teapot by A. Goodman & Со., both circa 1800.

A GEORGE III OCTAGONAL SILVER WINE LABEL,
engraved for Port below a crested shield, reeded
borders, by John Reily, London, 1808; and а
smaller crescent-shaped example, engraved for
Brandv within wrigglework borders, makers
mark of WF& Со. only.

A WlLLIAM III LARGE CYLINDRICAL TANKARD
with applied girdle and scroll handle, the domed cover with volute thumbpiece and beaded rat tail, ЯУгш. high, marked on body, lid and handle, by Anthony Nelme, London, 1699,

39oz. 9dwt.

THREE TABLE SILVER CANDLESTICKS AND ONE TWO-
LIGHT CANDELABRA BRANCH, the circular bases
rising to knopped V-shaped stems and
campana-shaped sconces, the reeded scrolling
arms supporting circular drip pans below similar
sconces, central flame finial, detachable nozzles,
foliate borders throughout, 193in. high overall,
circa 1810.

A CHARLES II CYLINDRICAL SILVER TANKARD later en¬graved with a crest below an Earls coronet, scroll twin-cusped thumbpiece, 63kin. high, marked on body, lid and handle, makers

mark S.R., а roundel below, London, 1675, 24oz. 15dwt.

A PAIR OF GEORGE III SILVER SNUFFERS, the openwork loop handles, hinge boss and flame trap all with gadroon borders, the former enclosing bud motifs, the latter crested, fully

marked, by Emes & Barnard, London, 1809, 3oz. 5dwt.

A GEORGIAN PAP BOAT, quite plain except for an engraved crest on the peak opposite the lip, 41kin. ivide, marks rubbed, makers mark possibly Robert & David Hennell, circa 1775,

loz. 6dwt.

A GEORGE II BALUSTER SILVER MILK JUG, chased with
broad band of flowers within scrolls on a matted
ground incorporating a later crest to the front,
waved rim, leaf capped double scroll handle,
shell feet, ЗаЦп. high, by Edward Wood, London,
1745, 3oz. 4dwt.

A QUEEN ANNE CASTER, the baluster body with reeded girdle and on spreading foot, the detach¬able domed cover pierced with scrolls below the bun finial, 7xkin. high, possibly by

William Fawdery, London, 1713, 9oz. 17dwt.

A GEORGE III OVAL SILVER TEAPOT, engraved with two
wreath cartouches, one crested, below an
everted collar, pricked borders of Greek key
throughout, curved spout, ring foot, wood loop
handle and button finial, 53in. high, fully
marked, by John Emes, London, 1802, 15oz.

A GEORGE III LARGE CIRCULAR SILVER SALVER engraved in the centre with armorials below а foliate mantling, helm and crest, shaped gad¬roon border interrupted by leaf-flanked

shells on four paw feet, 23гЦп. diam., by Solomon Hougham, London, 1816, 160oz.

A PAIR OF EARLY JAMES II SILVER LlGHTHOUSE CASTERS,
each applied with a reeded girdle below a later
crest, the spreading bases and bavonet covers
pierced with clusters of geometric scrolls
articulated on the former by mullets and on the
latter by cruciform devices and stylised buds,
the covers with double baluster finials within
cut card surrounds of tulips and spikes, cable
borders, 67гш. high, marked on bodies, covers
and one base, by John Cuthbert, Dublin, 1685,
Boz. 8dwt.

A GEORGE IV OBLONG EIGHT-BOTTLE SILVER CRUET
FRAME, the base applied with a gadroon border
and supporting the reeded bottle holders and
central ring handle, on panei feet, the handle
and supports cast and chased with foliage and
flowers, lOin. , marked on base and handle,
by William Sharp, London, 1826; complete with
cut-glass bottles, two with silver mounts, and а
Fiddle pattern Condiment Spoon, by different
makers, London, 1819 and Sheffield, 1825, 32oz.
15dwt.

BY PAUL STORR. THREE GEORGE III SHAPED
OVAL MEAT DISHES in sizes, engraved with
armorials below gadroon rims interrupted by
leaf flanked shells, 19xkin. and 17in.
long, London, 1811, also stamped 744, 745 and
748, 266oz.
*** The Arms are those of Butler impaling Jeffreys for Richard, Baron Caher (1775-1819) who was created Viscount Caher and Earl of Glengall in 1816. Не married on 13th Augusi,

1793, Emily, daughter of James St. John Jeffreys of Blarney Castle Со. Cork and died at Caher Castle, Со. Tipperary on 30th Jan. 1819.

A COMPRESSED CIRCULAR TEA KETTLE, later chased with scrolls and florai clusters incorpor-ating two crested cartouches below a lobed girdle at the shoulder, part lobed curved

spout, swing handle, the detachable stepped domed lid similarly decorated, 9in. high, marked on body and lid, marks rubbed, apparently by David Willaume, London, circa 1710,

47oz. 9dwt.

BY PAUL STORR. A GEORGE IV TWO-BOTTLE SHAPED OBLONG SILVER INKSTAND, the central drum wafer box flanked at the side by two well sockets and on the longer sides by two armorial

and crest engraved pen depressions, foliate shell interrupted moulded border, rococo openwork end handles, corner panei supports, one cut-glass well with cover, ll%in. long

overall, fully marked, London, 1832, 11oz. 12dwt.

A GEORGE III OVAL TEAPOT, MILK JUG AND
SUGAR BASIN similarly engraved with bright-cut
motifs, the jug and basin with reeded handles
and borders, all by Robert Hennell, London,
1788/9, 2Soz. lSdzot.

A GEORGE II SILVER PUNCH LADLE, the shaped oval
bowl ribbed and florai chased, also initialled,
turned wood handle, makers mark IM, London,
1754.

A GEORGE III OVAL SILVER ENTREE DISH AND COVER
WITH MATCHING LAMPSTAND, the base with
beaded rim and loop handles, the domed cover
with wood button finial, 12in. wide over
handles, marked on base and cover, probably by
Burrage Davenport, 1776, the stand raised on
scroll supports and shell feet, fixed burner,
llin. , by Langford and Sebille, 1766, the
burner cover by another, all London, 42oz. 16dwt.

ANTIQUE SILVER TEASPOONS - GEORGE II STYLE SILVER WAITERS - SILVER HOT-WATER JUG - EIGHTEEN GEORGE III DESSERT FORKS - SILVER PEPPER POTS

A  PAIR  OF SILVER VICTORIAN THREE LIGHT CANDELABRA, in Empire style, the central stems fluted above three mythical monsters, shaped bases, 63cm. high, circa 1870.

A PAIR OF CHAMBER CANDLESTICKS inscribed ‘Maud’ mounted on horses’ hooves, with plated shoes, 14cm. high, circa 1870.

A SMOKER’S SET comprising a rectangular Tray with depression for cigars, a two-handled lighter and an Ashtray, the whole chased with scrolls, by Tiffany & Co., circa 1920, 36oz.

TWELVE TEASPOONS with shell handles, Birmingham 1921 (fitted case), another six teaspoons, London 1859 four coffee spoons and a sifter,Birmingham 1902, (fitted case), a cigarette case inscribed in script,Arthur McLeanf from WilliamOrpen 1914, Birmingham 1912.

AN EDWARDIAN CIRCULAR DRESSING TABLE BOX, Birmingham 1913.

A CIRCULAR SALVER with shaped rococo rim, chased centre and on three scroll feet, Birmingham 1902, 55 oz.

A PAIR OF GEORGE II STYLE SILVER WAITERS WITH CHIPPENDALE RIMS, ENGRAVED COATS of ARMS, on THREE scroll FEET, 21.5cm. diam., London.

TEN VARIOUS FIDDLE PATTERN DESSERT SPOONS, Dublin, early 19th Century, various makers, 9oz.

A CHRISTENING MUG in the shape of a small staved tankard, Birmingham 1915, 8.5cm. high 4oz.

A SMALL SILVER HOT-WATER JUG, wooden handle, Birmingham 1904, 14cm. high 1 oz.

A SET OF FOUR SMALL SILVER Bowls on ball feet and with wirework grilles, London, 1903.

A SMALL PLAIN CREAM JUG Birmingham, 1933.

A VICTORIAN LARGE AND HEAVY OVAL TRAY, the pierced border embossed with Shells, flowers and river gods with four sea horses and scroliing coral decoration also engraved with a coat of arms, flanked by dolphin and shell handles on four massive scroll feet, 80cm. wide over handles by Richard Sawyer, Dublin 1844, approx. 250 oz.

A COFFER SHAPED TEA CADDY, with hinged lid and lion mask handles, London 1900, 11cm. high 12oz.

A GEORGE IV CUP AND COVER, the campana shaped body flanked by cornucopia handles and satyr masks and embossed with fruiting vines, on spreading foot, later converted to a tea urn, 38cm. marked in body and lid, by James Le Bas, Dublin 1818, 88oz.

Ten Victorian egg Spoons, the majority by Waterhouse & Co., Dublin, 1881, 4oz.

A PAIR OF SILVER SAUCE LADLES, bably London, 1810, 2oz.

TEN VICTORIAN BRJGHT-CUT DESERT FORKS, by West and Son, Dublin, 1896.

EIGHTEEN GEORGE III DESSERT FORKS, and TEN DESSERT SPOONS, by John Power, Dublin 1787/1799.

A GEORGE III WINE FUNNEL, of typical form, with detachable pierced bowl, mark rubbed, London.

FIFTEEN GEORGIAN AND VICTORIAN SILVER TEASPOONS, various patterns, Dublin and London marks, 7oz.

A GROUP OF BUTTER KNIVES, SALT AND MUSTARD SPOONS, etc., Dublin and London, Georgiern and later dates, 6oz.

FOUR GEORGE III FEATHER EDGED TABLESPOONS, three by James Kennedy 1781, one by Michael Kealing, 1801, all Dublin, Sau.

A GEORGE IV CIRCULA* MUSTARD POT* with hinged lid, by Messrs. Barnard, London 1828 ad an octagonal example, Birminghan.

A VICTORIAN “ARMADA” SILVER CLARET JUG of typical form, the lid opened by hand lever, the body with embossed figures, 34 cm. high, by John Smyth, Dublin 1875, 32oz.

A VICTORIAN LARGE TANKARD, the cylindrical body chased on one side with a steeplechase and engraved with a later inscription on the other amid chased flowers and scrolls, the lid with racehorse and jockey finial, 37cm. high, by R. Henhell, London, 1859, 59oz.

TWENTY-TWO FIDDLE PATTERN TABLESPOONS AND FIVE TABLE FORKS, Dublin and London dates, the majority c.1830, 62oz.

A PAIR OF CYLINDRICAL SILVER PEPPER POTS, Dublin 1911, two modern examples, Birmingham, and a salt cellar on three shell feet, London, 1807, 9oz.

A GEORGE IV BRIGHT-CUT SOUP LADLE with shell bowl, Dublin 1826 and a fiddle pattern serving spoon, Dublin 1806, 9oz.

A GEORGE IV SILVER-GILT COMMUNION BOWL, comprising a mall Flagon, a Chalice and a Paten, each engraved with i Ducti Crown and thc monogram of Allguttut Frederick, Duke of Cumberltnd, the Flagon Wem. high, by Sebastian Crespell, London, 1827.

A GOLD ENGRAVED REPLICA OF THE TARA BROOCH, the back munbedEgan, Cork, c. 1947.

SILVER SHEFFIELD PLATE CANDLESTICKS - ELECTROPLATED BISCUIT BOX - A VICTORIAN ELECTROPLATED TWO HANDLED TRAY

A PAIR OF PLATED THREE LIGHT CANDELABRA
Each on a shaped square base, with foliage borders, tapering stem, canipana shaped sockets, and detachable nozzles.
PAIR OF PLATED ON COPPER CANDELABRA
Each of inverted baluster form on spreading foot, with reeded borders and urn shaped sockets.
A PAIR OF SHEFFIELD PLATE CANDLESTICKS
In the mid Eighteenth Century manner, each on a shaped square base with shell stamped corners, knopped stem, spool shaped socket, and detachable nozzle.
A LARGE QUANTITY OF ELECTROPLATE
Including two cake baskets; a three piece tea service; cake stands; cased and loose cutlery, etc.
A VICTORIAN ELECTROPLATED BREAKFAST DISH
Oval, on four reeded and paw foot supports, with revolving cover.
A THREE PIECE ELECTROPLATED TEA SERVICE
Also a Victorian silver and two-colour gold hinged bangle-, two silver pocket watches; etc.
A QUANTITY OF ELECTROPLATE
Including six plain fish knives and forks; a pair of pie servers, in fitted cases; a Victorian part table service comprising six desert spoons, six dessert forks and twelve teaspoons; etc. and a Britannia metal teapot.
A SET OF TWELVE ELECTROPLATED FISH KNIVES AND FORKS IN WOODEN CANTEEN
a modern stainless-steel bladed carving knife and fork with composition handles; and a set of six similar butter knives.
A PAIR OF VICTORIAN SHEFFIELD PLATE LIBRARY CANDLESTICKS
Each on lobed spreading base with lobed, gadrooned and beaded borders; and a plated on copper tray of long oblong form with fruiting vine border.
A QUANTITY OF ELECTROPLATE
Including a three piece coffee service; a three piece oval tea service; a hot water jug; a boat shaped bread dish; a pair of butter dishes; cased cutlery including a pair of Victorian fish servers; two other pairs with ivory handles; a pair of grape scissors; six silver coffee spoons; etc.
A SET OF TWELVE ELECTROPLATED FISH KNIVES AND FORKS IN WOODEN CASE
With silver ferrules, Sheffield, 1912
A VICTORIAN ELECTROPLATED BISCUIT BOX
Oval on integral stand with four openwork scrolled feet, incised overall with flowering foliate scrolls; also a pair of Victorian electroplated berry spoons with heavy drop-shaped handles; a pair of electroplated patent sprung holders; a crumb scoop; and a mustard pot lacking liner.
A PAIR OF SHEFFIELD PLATE CANDLESTICKS
Each on circular foot, with telescopic stem (movement damaged), urn shaped socket, gadrooned borders; and seven various silver mounted dressing table brushes and one mirror.
SET OF TWELVE FISH KNIVES AND FORKS
Engraved with initial B, in wooden case; six dessert spoons and server; a child’s feeding spoon, in fitted case.
A VICTORIAN PLATED THREE PIECE TEA SERVICE
Vase shaped, richly chased foliage bands, and acanthus capped scroll handles.
A QUANTITY OF PLATE
Including a three piece circular tea service, and similar kettle; a cheese dish and cover; sauce boat; napkin rings etc.
A PAIR OF VICTORIAN ELECTROPLATED ENTREE DISHES AND COVERS
Each oval, with beaded ring handle, beaded borders, and incised with Greek Key border below the crest and motto of Mitchell.
A PAIR OF VICTORIAN ELECTROPLATE AND IVORY-HANDLED FISH SERVERS
Elaborately pierced and incised; a pair of electroplated knife rests simulating bamboo; a pair of Victorian Scottish silver sugar tongs; au electroplated crumb scoop; and a cake basket.
A QUANTITY OF PLATED WARE
Including various tea and coffee pots; a set of fish knives and forks; a souffle frame; etc.
A MODERN ELECTROPLATED PUNCH BOWL AND STAND
Circular on spreading foot, stamped with flowerheads and foliage, the stand on three paw foot supports, with six matching punch cups and a King’s pattern ladle
bowl.
A VICTORIAN ELECTROPLATED TWO HANDLED TRAY
Of shaped oblong form, the centre incised with scrollim- foliage, with fruiting vine border
A QUANTITY OF PLATED WARE Including a two-handled cylindrical biscuit barrel; a Victorian cake basket; a plated-on-copper oval gallery tray; etc.
ART NOUVEAU ELECTROPLATED TWO LIGHT CANDELABRUM
Of entwined openwork form, with flowerhead finial and spool-shaped sockets; also a Victorian electroplated hors d’oeuvre frame with two glass dishes; an Elkington Plate soup ladle; and pair of matching gravy spoons; and two preserve spoons.
A VICTORIAN THREE PIECE TEA SERVICE
Of tapering circular form, with chased foliage borders; and a similar salver.
A QUANTITY OF ELECTROPLATE
including a pair of sauce boats: a three piece tea service; an oval entree dish and cover; a hot water jug; circular waiter; mounted pottery teapot stand; pair of silver toastracks etc.
CASED CUTLERY
Including twelve pairs of electroplated fish knives and forks, with matching servers; pair of preserve spoons;a pair of butter knives; and six silver handled tea knives.

A QUANTITY OF ELECTROPLATE
including a Victorian six-bottle cruet frame; three entree dishes and covers; a muffin  dish and cover; a toast rack with six trefoil shaped divisions; a sugar caster, etc; two silver cigarette cases; and a silver vesta case.

Antique Silver Tea Trays - Antique Table Candlesticks - Silver Pint Mug - Sterling SilverWater Jug

Assorted Plate, comprising: pair of three light Candelabra; three piece Coffee Set, tapered oval; large Tazza, circular; Punch Bowl, hemispherical, with six Cups and Ladle; Rose Bowl, hemispherical; Ice Bucket; Bon-Bon Basket; and Mug.
Assorted Plate, comprising two oval Tea Trays, gallery borders (one    tive); pair of Dishes, fluted circular; shaped circular Salver, festoon engraved; and a
multiple Bud Vase.
Assorted Plate, comprising: set of three Entree Dishes, shaped oval; another oval example; Heater Frame with burner; three light Candelabrum; Toastrack; pair of Sauce Boats; pair of Coasters; Crumb Scoop; and
Sugar Tongs.
Assorted Plate, comprising: Lemon Squeezer, on wood base and with horn beaker; plate-mounted oak six cup Egg Frame, with cups; triple burner Heater Frame; Muffin Dish; eighteen pairs of Dessert Knives and Forks, mother o’ pearl handles (case); Crumb Scoop; and four nesting brass Saucepans.
Assorted Plate, comprising: Salver, pendant engraved circular, 14in.; Sugar Basin and Milk Jug, oblong; and a pair of Servers (case).
An Entree Dish with Heater Base, circa 1820, shaped oval, foliate shell borders, the base with loop handles and panel supports, the cover with ring handle.
A pair of three light Candelabra, circa 1800, circular bases, tapered stems, reeded branches, thistle shaped sconces, circular drip pans and nozzles (one sconce detached).
Two pairs of Candlesticks, 19th Century, fluted shaped circular bases and sconces, nozzles.
A pair of Table Candlesticks, stepped square bases, column stems, Corinthian sconces and nozzles.
A pair of Table Candlesticks, Adam style, oval bases, faceted tapered stems, vase shaped sconces, nozzles.
Assorted Plate, comprising: Salver, crested and engraved shaped circular, 13in.; shaped oval Entree Dish (handle wanting); the base for another; Sauce Boat; Toastrack; glass Flask with plated cap; Meat Skewer;
Thirteen Table and Cheese Knives with steel blades; pair of Sugar Tongs- and twelve Fiddle.
pattern Table Forks piece Kings pattern Canteen, modem, twelve place settings, including fish eaters and carvers (three drawer table case)
Assorted Plate, mostly late 18th and 19th Century, comprising: Tea Urn, ovoid above an openwork pedestal base (spigot detached); two handled Vase with capstan cover; Knife Tray, beaded border; Toastrack; Wine
Funnel; Pint Mug; Sugar Basin; covered Sugar Bowl; Butter Pail; and a silver Candlestick, Sheffield.
A pair of three light Candelabra, the oval bases, tapered stems and vase shaped sconces all fluted within reeded borders, with serpentine arms and nozzles.
A plate-mounted Ostrich Egg Cup and Cover, circa 1870, the egg body with applied waved rims, ostrich finial and spreading foot of three ostrich legs.
A Jubilee Toastrack, circa 1897, oval leaf base, seven compartment with dividers spelling Jubilee below a Royal Crown finial.
An Argyle, circa 1880, cylindrical, gadroon borders, raffia covered loop handle.
A pair of Entree Dishes, circa 1865, oval, stiff leaf borders, stag finials-cum-handles.
Assorted Plate, comprising: pair of small Entree Dishes, chapel square; pair of Sauce Boats, faceted oval; pair of Salvers, shaped circular; and twelve pairs of Dessert Knives and Forks with mother o’ pearl handles A
plate-mounted glass Claretg, circa 1870, plain cylindrical body with bulbous base, vine embossed collar-cum-spout, angular handle, lion finial.
A Hot Water Jug, plain baluster, stepped domed cover, raffia covered loop handle.

Antique Sterling Silver Candlesticks and Candelabra

George I type, one of the most typical and desirable patterns. Best type of massive appearance, like these. Made 1715 - 1730. About six inches high  twenty-five ounces.
Typical pair of candlesticks of the period and circa 1690 - 1705. Similar construction to previous pairs  hand raised from sheet. Often with embossed cartouche on base below column. This type of candlestick has not
been very popular in recent years, owing to its light weight, and rather rough appearance, whilst not possessing the rarity, plainness and character of the earlier ones of similar construction. If there is a cartouche, check for thin spots where it may have been erased. Also look for holes in fluting and on corners.
Queen Anne type, circa 1700 - 1715 with round base and octagonal column. Cast, about six inches.
George I “diamond-base” pattern, rather more unusual but not more valuable. These have original armorials, 1715 - 1725. About six inches  twenty-three ounces.
Another type with hexagonal base. Circa 1715 - 1725. About six inches.
If larger or exceptionally heavier plus 10% - 30%.
Square base with convex corners circa 1728 - 1740. Very popular pattern. About six inches  twenty-four ounces. This pair with original armorials.
Popular pattern made 1735 - 1745. Note column is becoming more decorative. Also note nozzles, which may or may not be marked (but only with lion and maker’s mark) which began to be used about this period. Little difference to value. Average height, without nozzles, seven inches twenty-five to thirty ounces.
Slightly unusual type 1735 - 1745. About six and a half inches - twenty-three ounces.
Typical Irish design 1715 - 1730. Usually rather small, about five inches. May be marked in the well, as this example, or on the outside or inside edge of the base, or underneath. Usually marked on capitals. About
twenty ounces.
An exceptional example of the previous type. Note finely chased leaf motifs on the shoulders, more complicated outlines of capital and collars, original nozzles. Exceptional size and weight, nine inches thirty-eight ounces.
Another pattern 1735 - 1745. About six and a half inches  twenty-three ounces.
Another pattern about 1730. About six inches  twenty-four ounces.
A rococo pair 1745 - 1755. Not so desirable as the previous type. About eleven inches  forty-five ounces.
Caryatid candlesticks  circa 1750, usually by John Cafe. For some reason, these often seem to come, more often than other patterns, in sets of four or more. About ten inches in height  about forty ounces a pair.
Slightly more decorative base 1745 - 1755. Usually heavy, about thirty or more ounces  seven inches.
An extremely rare pair of figure candlesticks, of a type made about 1750, modelled as Blackamoors. About six inches high, and should be marked on base, figure if separate, wax pan and capital.
One of a fine pair in the French taste. These could be made any time between 1740 and 1770. About nine inches in height
forty ounces a pair.
Typical pair four shell corner candlesticks circa 1750 - 1760. Small light pairs about six inches, twenty-five ounces. Better pairs seven inches  twenty-eight to thirty ounces.
Similar period to two previous pairs, but ’six-shell’ bases. This pair can be identified in all probability as Scottish, because of the rather large and clumsy capitals.
The development of the six-shell base candlestick 1760 - 1770. The sunk-centre’ has gone. About ten and a half inches — thirty-five ounces.
Basically similar to the previous pair, these have flat-chased decoration which is almost certainly original. Nevertheless, it reduces the value.
The development of the four-shell base candlesticks 1755 - 1700. The candlesticks no longer have the ’sunk-centre’ i.e. the stem rising from a saucer-like depression in the base. Rather taller, and somewhat less
valuable.
A fine rococo pair.
Stepped square base candlestick 1760 - 1770. Developed from previous example, but less valuable. Shows an alternative place for engraving the original armorials. Instead of the round nozzle shown, later examples
often have square fluted nozzle repeating motif at base of stein. About ten and a half inches  forty-five ounces.
Unusual for a pair of Corinthian candlesticks, these are cast, rather attractive in design, and somewhat smaller than the previous example. They are very much more valuable. About ten inches.
PSquare-base, ’sunk-centre’ candlestick, 1755 - 1765. Very popular type, especially if very heavy, with broad base. About ten and a half inches thirty-five ounces. Fine pairs  up to fifty ounces.
These candlesticks were cast, and made in London about 1765. Without the nozzles, and smaller, they could have been made about 1700. As  with most candlesticks of rather unusual design, they are of fine quality.
About ten inches high  thirty-five ounces.
Candelabra all matching and fully marked of the period. Extremely rare and desirable in this condition.
The return to the candlestick made from sheet about 1760  either chased by hand, as this one obviously is, or stamped by the new process being pioneered in Sheffield at this period  the start of the industrial
revolution. Nevertheless, the capital and nozzle-top are still cast. Height about eleven inches. Not a very popular pattern.
Typical Adam design, die-stamped in Sheffield about 1775. This type of loaded candlestick (in many different patterns). About twelve inches.
This is a very fine pair of London made cast candlesticks in the Adam style, made about 1775. The execution and finish is of the highest quality, and all the different motifs cohere brilliantly into the whole. They are about twelve and a half inches in height, about fifty ounces in weight, and by comparison with the loaded candlesticks, are well worth their value today.
A pair of silver candlesticks made in 1785 by John Schofield, with a pair of Sheffield Plate branches to match. This expedient was often adopted with London and Sheffield made candelabra as the branches were
obviously rather costly compared to the candlesticks. Providing the branches are the right ones, this combination is very popular today, still on grounds of cost.
Another Sheffield made loaded candlestick of rather ‘Gothic’ design. This is actually Victorian in date, but is undoubtedly made about 1780. These dies continued in use until early in the twentieth century, which accounts for the authentic appearance of man% Victorian candlesticks! Some are still in use today, although many, tragically  broken up for scrap as firms went out of business, or changed to new lines. About twelve inches.
Another pair of cast London made candlesticks of slightly later date about 1780. The baluster column, as opposed to the more usual tapered ones of the next examples, is comparatively uncommon. About eleven and a half inches high, about thirty ounces.
This pair of candlesticks were made in London about 1790 by John Schofield, who specialised in candlesticks, and is considered the best candlestick maker of his period. They have the beaded borders typical of the 1780’s and the hollow fluting which is so very much admired today. An unusual feature is the little border of anthemian decoration under the shoulder. Height twelve inches, weight about thirty-five ounces. Of their type, this is as good as you could get, so anything less good should be less in price.
A loaded Sheffield made pair about the end of the century. They are oval in section, never seen in London-made candlesticks. About eleven inches.
A small pair of candlesticks by Schofield, only seven inches high, and intended for a dressing table or desk. These are slightly later, about 1800, as one can tell from the gadroon border.
A pair of large four-light candelabra by Matthew Boulton, the foremost metal worker and industrialist of the late eighteenth and early nineteenth centuries. His factories were in Birmingham and whilst turning out large
quantities of the finest ‘Sheffield plate’, with the double star mark, he also designed and made steam engines, ormolu mounts for furniture, ormolu clock cases, and every other sort of metal work. Many of his designs, more familiar in plate, were also made up in silver. Note the basic similarity in design to the pair of Paul Storr candlesticks which follow  Boulton made all the Sheffield Plate warmers and dish covers for Storr’s silver dishes. Note also that, because the candlesticks are loaded, the actual weight of silver is stamped by the hallmark  25.6  twenty-seven to thirty inches high.
A fine pair of four-light candelabra which could be by Storr, Smith, or Rundell, 1810 - 1820. Twenty-four inches high, very heavy and cast throughout, often gilt, these candelabra, whilst not so popular as the earlier
and smaller ones, fetch a very good price! Every separate piece must be marked.
By one of the others If not gilt, about 10% less
The same thing as candelabra.
An interesting pair of Sheffield made candelabra of rather better-than-usual quality. Made around 1810, they are fairly small and pretty, and will fetch a quite good price, though nothing like the slightly earlier London
made ones. About nineteen inches.
Birmingham made candelabra and candlesticks made by Matthew Boulton about 1805. Elegant design, especially in the candelabra branch, with simplicity. Next best thing to London ones, as they are equally attractive in appearance, which is not always the case with provincial examples.
A fine pair of Regency candlesticks by Paul Storr. They are about fourteen inches high, and weigh about seventy ounces the pair. They could be made and the price would not alter much. any time between 1810.
Strangely enough, candlesticks of this period are far less common than those of the eighteenth century, presumably because of the use of colza oil lamps for domestic lighting, or massive candelabra for dining.
A pair of cast candelabra made in 1825 by Robert Garrard. In this and the pair of candlesticks following will be seen his liking for copying eighteenth century rococo, and his fine quality. This pattern was probably
available from Garrards until the end of the nineteenth century. They would be about twenty-five inches high, and weigh about 300 ounces the pair.
An attractive pair of candelabra, the stem rather heavy, but the detail and decoration very well thought out and executed. Made about 1870.
The value of unloaded Victorian candelabra is reasonably related to weight. For rococo or floral ones (not too lumpy) which are the most popular.     4 - 7 per ounce before 1868
Another Sheffield made pattern circa 1815 - 1825. About ten and a half inches high. Loaded.
Just for fun  an extremely rare pair of wall lights made in 1698, and engraved with original arms of the Earl of Derby. These are fully marked on the back plate and on the front (as you can see) and also bear the lion’s
head erased on the candle socket. One likes to see a lot of hall-marks on objects as rare as these, to be sure they are genuine! I would doubt their authenticity if the only marks were those visible in the photograph.
About twelve inches high.
A pair of Victorian cast candlesticks of superb quality. These were made by Garrard, in the style of about 1750. These were made in 1840, and are about thirteen inches high, and would weigh about sixty ounces the
pair, or more.
One of a pair of candelabra and a pair of candlesticks, of typical Sheffield design, made circa 1820 - 1835. They were made by many different firms, and this design of base can also be seen on wine coolers especially.
The candlestick, about ten and a half inches, loaded.
And another for fun  a superb set of snuffers and stand probably just before 1700. Original arms. The snuffers should be fully marked on one half, lion’s head erased and maker on the other. The stand should be
marked like a candlestick, underneath. If all complete and as it should be:
if the stand is right, but snuffers are unmarked 650 snuffers alone of this period, fully marked for George I complete examples. More tapersticks, all loaded, 1768 to 1780.
Tapersticks are just like small candlesticks, usually just over half their height. The value of a single taperstick is about one third that of a pair of equivalent candlesticks. They were not used in pairs, and so pairs, being rare, are highly desirable. In spite of their small size, pairs are worth about the same price as a pair of equivalent candlesticks. They are made up to about 1775, when coiled wax tapers came into use, in all the styles of the candlesticks shown.
An early Victorian Sheffield or Birmingham made example 1830 - 1845.