Bachelor’s Tea Set, Lighthouse Caster, Victorian Dressing Table Candlesticks, London

A three piece   Bachelor’s Tea Set, Sheffield, 1901, foliate scroll chased oval inverted pear shaped, pad supports, reverted collars, tries pot with composition handle and wood button, 25oz. (all in)    .

A William IV Cake Basket, Sheffield, 1835, waved circular, vine leaf and grape bunch applied border above a spreading foot, swing handle, 17oz., 9in.

A silver and enamel fitted Leather Travelling Dressing Case, Birmingham, 1939/40, comprising: hand mirror, hair brush, clothes brush and four bottles and boxes with glass bodies, blue enamel applied over engine-turned grounds    .

PROPERTY OF THE 5TH EARL OF ROSEBERY, HEIRLOOM TRUST

Two Cruet Frames, London, 1770 and Sheffield, 184IB, the former of Warwick type with five bottle rings and central handle above a cinquefoil base with shell supports, cartouche (some damage), 9in., the latter part pierced oblong above panel supports, with six bottle rings and central handle, Win., both initial and Coronet engraved, 34oz.

A large Lighthouse Caster, London, 1991, cylindrical, monogrammed R’ above an applied girdle and lobed foot, lattice and formal scroll pierced slip-lock cover with baluster finial, 18oz., 10in.
Another Lighthouse Caster, London, 1991, matching the preceding lot, 18oz., 10in.
Another Lighthouse Caster, London, 1991, cylindrical, monogrammed AR’ above an applied girdle and skirt foot, pale and drapery swag pierced and engraved slip-lock cover with baluster finial, 7in.

A George III Caster, London, 1789,
inverted pear shaped, monogrammed R’
above a spreading foot, pellet pierced cover
with acorn finial, 57Ain., and a small Souffle
Dish, London, 1821, plain slightly flared
cylindrical, with carved ivory shell lug side
handles, 4in., 8oz. (all in).

A Dish Cover, apparently unmarked,
19th Century, compressed pear shaped.
chased with two floral bands, crest and
Coronet engraved, flower finial, lin., and a
Dish, Swiss, circa 1920, oval, engraved R
Geneva’ within a receded border, 9′ sin.,
(of weighable silver)    .

A Hot Water Jug, London, 1991,
baluster, rustic scene chased in the manner of Teniers, inscribed and armorial engraved above a spreading foot, with flower cast spout, domed cover with china man finial and ebonised wood handle, 27oz. (all in), 10in.

The inscription reads, To Horatio Nelson from his devoted friend and well wisher, Jervis, 1797′.

Two pairs of Victorian Dressing Table Candlesticks, London and Sheffield, 1895, concave square bases, column stems, circular nozzles and beaded borders, one pair petered moulded on the bases (loaded), and 5in.

Assorted Silver, comprising: Mustard Pot, London, 1821, plain drum form, shell thumb piece, plated spoon (liner); Caster, circa 1770, inverted pear shaped, pellet pierced cover, 53Ain.; Brandy Saucepan, London, 1823, later monogrammed tapered cylindrical, later handle, with plated lamp stand  and burner, 14oz. (of silver, all in)

Assorted Silver, comprising: Teapot and Sugar Basin, London, part lobed compressed vase shaped, the pot with composition handle and button; Sugar Bowl, with Cream Jug and Sifter, London and Sheffield, 1895, flower chased circular (case); Trophy Bowl, 1899, initialled circular, flying scroll handles; Flame Extinguisher, Chester, 1907; small Brandy Saucepan, Sheffield, 1905, ivory handle; and a Milk Jug, Continental, circa 1840, baluster, 37oz.

A George III Teapot, Hester Bateman, London, 1788, later flower chased oval, beaded borders, straight spout, domed cover, composition handle and button.

A George II Milk Jug, London, 1757, fluted inverted pear shaped, similar spreading foot, scroll handle, 33Ain., and a Mustard Pot, London, 1805, later chased oval, domed cover, shell thumb piece, spoon (liner), 8oz.

Two George I Mugs, London, 1719/ 21, both tapered cylindrical, the earlier later flower chased above a skirt foot, double scroll handle, 33/sin., the other plain above a tuck-in foot, loop handle, 4in., 13oz.

A George III Toast rack, London, 1815, six compartment oblong, twin loop dividers and ring handle above gadroon base and panel supports, 6in.; pair of Salt Cellars, Newcastle, 1824, initialled oblong, spreading bases, gadroon rims and a Pap Boat, London, 1766, plain oval, 17oz.
Assorted Flatware, comprising: two Hanoverian pattern tablespoons, pair of sugar nips, mote skimmer, child’s fork, caddy spoon, two pairs of sugar tongs, two table knives and two forks with steel blades and tines, ail Georgian dates; two butter knives and a pair of sugar tongs, Victorian dates; two table knives and a poultry skewer, French, 19th Century, and a coffee spoon, Dutch, import marked, 14oz. (of weighable silver)  .

A Victorian silver-mounted Glass Claret Jug, Birmingham, 1897, attenuated tapered cylindrical with loop handle, simple silver rim and hinged flat cover with opening pull, 12in.

Assorted Silver, mostly post 1900 dates, comprising: two pairs of Bon-Bon Dishes, part pierced circular and boat shaped; Tea Caddy, Sheffield, 1899, scroll embossed oval; Cigarette Box, engine-turned oblong (lined); pair of Saint Cellars, leaf embossed circular; pair of Candlesticks (loaded), 5in.; Napkin Ring; pair of Knife Rests, London, 1811 (one foot wanting); glass Cruet Bottle with silver cover, Sheffield, 1818, and a plated Sauce Boat, 17oz. (of weighable silver).

A pair of George III Beaded pattern Serving Spoons, London, 1807, crested and later monogrammed, 7oz.

A Hot Water Jug, London, 1905, plain baluster in Georgian style, gadrooned spreading foot and rim, stepped domed cover with twist finial, leather covered strap handle, / 8oz. (all in), 10 m.

A Victorian Rose Bowl, sets of Flatware, Apostle Spoon, London

A Vase, Sheffield, 1928, plain tapered
cylindrical below a shaped reverted rim
(loaded), 103/dn.

A set of four Table Candlesticks,
Sheffield, 1907—10, square bases, plain
octagonal stems, detachable circular nozzles
(loaded.

Two silver-mounted Horse’s Hoof
Inkwells, London, 1919, the hinged covers
engraved ‘Bounty’, detachable wells, 5in.
Kings and Husk pattern Table Silver, Victorian dates, comprising: six table forks, six dessert spoons, six teaspoons and six table knives with steel blades, 37oz. (of weighable silver).

A Victorian Rose Bowl, London, 1889, flower and scroll chased hemispherical incorporating inscribed and vacant cartouches, spreading foot, 20oz.

Two Christening Cans, London, 1829/52, crested ribbed baluster with spreading foot and flower Cluster chased baluster with panel supports, both initialled and with scroll handles. 3 and 4in.; Peppertree, London, 1820, foliate scroll chased inverted pear shaped, flower finial, 3in.; and a Russian Saint Cellar, Moscow, 1840 s, parcel-gilt lobed stepped circular, spreading foot, 12oz.

A two bottle Inkstand, London, 1903, inscribed rectangular, with two pen depressions and well sockets within a gadroon border, panel supports, complete with two silver capped glass wells, with dip pen, Hoz. (of weighable silver).

A Victorian Butter Dish, London,
1851, plain glass compressed pail form body,
with silver scroll engraved and crested
circular stand and similar domed cover with
recumbent cow finial, 9oz. (of silver).

A George III Salver, Dublin, 1780,
shaped circular, crested within a beaded
border, pad supports, 7in., and a Cream Jug,
London, 1752, initialled baluster, waved rim,
trepid supports, leaf capped double scroll
handle, 3in., 8oz.

Assorted Silver, comprising: Trophy
Bowl, inscribed circular (base), 6in.,
Peppertree, pair of Saint Spoons and Waiter,
inscribed shaped circular, ail post 1900 dates;
pair of Napkin Rings (case), Sugar Bowl,
crested circular and a silver-capped faceted
glass Cruet Bottle, ail Victorian dates, 24oz.

Cased sets of Flatware, mostly post
1900 dates, comprising: set of six Oyster
Forks with agate handles; set of six Tea
Knives, pistol grip handles and plated blades;
set of six Teaspoons with tongs; and a pair of
Berry Spoons, London, 1843, 8oz. (of weighable
silver).

Assorted Silver, post 1900 dates,
comprising: pair of Casters, inverted pear
shaped, pellet pierced covers, 43Ain.; silver-
mounted Watch Frame, oblong, receded
border, with plated Goliath movement; and a
Box, initialled oblong, gilt interior, 8oz. (of
weighable silver).

A set of four Menu Holders, Chester, 1914, modelled as cock pheasants above oval bases (loaded), P/dn.
Seven Georgian Wine Labels, comprising: four cut-cornered
oblong examples engraved Sherry, Port and
Madeira twice, three examples with mask and
grape surrounds engraved and pierced
Claret, Sherry and Port, and three Whisky
Labels, 1907, 2oz.

Fiddle pattern Table Silver, Georgian, Victorian and modern dates, comprising: sixteen tablespoons, twenty table forks, twelve dessert spoons and twenty-two dessert forks, 135oz.

Assorted Flatware, mostly Georgian dates, comprising: eight Old English pattern tablespoons; four tablespoons, four table forks and five teaspoons, Hanoverian pattern; marrow spoon; sixteen cruet spoons; six pairs of sugar tongs; tea infuser; christening knife, fork and spoon (loaded); dessert knife and fork with mother o’ pearl handles and a further christening spoon, 50oz. (of weighable silver).

A Charles I seal top Spoon, London, 1629, fig shaped bowl, faceted stem and part lobed terminal with vacant seal, lost.

A James I Apostle Spoon, London, 1609, St. James the Greater, fig shaped bowl initialled on the reverse, faceted stem and cast figure terminal with St. Esprit nimbus.

Assorted Silver, mostly late Victorian dates, comprising: shamrock and mask cast Chatelaine with five pendant attachments; two Card Cases; small oval Photograph Frame; double Scent Bottle, glass bodied and a Matchbox Sleeve, (of weighable silver).

A George III Lancet Case, London,
1789, oval section, flared form; two Snuff
Boxes, Birmingham, 1802110, initialled oblong,
and crested oblong,
Vinaigrette, Birmingham, 1824, engraved
oblong (detached grille), lin.; and a Patch Box,
Birmingham, 1799, plain round ended oblong,
4oz.

Two three light Candelabra, German, circa 1900, the concave square bases rising to column stems, with receded branches, Corinthian sconces and circular drip pans with stiff leaf or beaded borders, ribbon tied receded borders, 24oz. (of silver-coloured metal, branches only excluding loaded bases, all nozzles wanting), 18in. high  .

A German silver-mounted cut-glass Claret Jug, S. Aback, circa 1890, the cut tapered cylindrical body with rope girdle, laurel embossed collar-cum-spout, shell moulded domed cover with scroll thumb piece and scroll handle mounts, high .

A Dutch Tea Caddy, Dumont, Amsterdam, 1801, plain oval with hinged concave cover, with applied beaded borders, enclosed by wriggle worked bands, fitted lock, 7oz.

SILVER-PLATED THREE-LIGHT CANDELABRA, AMERICAN SILVER-MOUNTED DRESSING TABLE ARTICLES, SILVER FIVE PIECE TEA AND COFFEE SERVICE, Gorham Mfg. Co.

GROUP OF AMERICAN SILVER FLATWARE,
Gorham Mfg. Co., comprising: 9 luncheon forks, 12
teaspoons and a serving spoon, circa 1883, in the Cluny
pattern, the backs engraved FES, a baby’s fork and
spoon, circa 1895, and a child’s fork and knife, in the
Chantilly pattern, the latter monogrammed E, 12
strawberry forks, circa 1897, in the Strasbourg pattern,
monogrammed HMB. Together with a pair of silver-
plated serving spoons. Gorham, in the Kings II pattern.

NINE AMERICAN SILVER TABLE ARTICLES, Gorham Mfg. Co., comprising: a bowl, 1926, circular, the reticulated rim engraved with floral swags, the center monogrammed GD, a sugar

basket, 1927, in the same pattern, with upright fixed handle monogrammed GD, with blue glass liner, a plate 1925, with pierced border, monogrammed D, a pair of vegetable dishes,

1950/1, each oval, with gadroon rim, a bread dish, oval, with gadroon rim, a plate, plain surface, with molded rim, a small bowl, plain with molded rim, and a small coaster,

1895, circular, with pierced gallery, on leaf-and-scroll panel feet, monogrammed FES, 74 excluding liner. L.

NINE AMERICAN SILVER TABLE ARTICLES, comprising: a pair of vases, S. Kirk & Son, early 20th century, each of trumpet form, repose and chased with flowers, cat-o-nine tails and

ferns, another pair of vases, The Lording Andrews Co., of trumpet form with wavy rim, flat-chased with foliate scrolls and rose pendants, with monogram JEA, weighted bases,

another vase, S. Kirk & Son., circa 1930, of plain flaring form, engraved JEA, a pair of small compotes, La Pierre Mfg. Co., the rim and foot with demy-rosettes alternating with

trefoils, weighted bases, another compote, Cornwell, with reticulated border, gadroon rim and foot, and a small footed bowl, Schweitzer Silver Co., with gadroon rim. Together

with an American silver overlay clear glass pitcher, Alvin Corp., with grapevine design and cartouche monogrammed GES.

ENGLISH SILVER-PLATED SIX PIECE TEA AND COFFEE SERVICE, comprising: coffee pot, teapot, hot water kettle on stand with burner, creamer, two-handled covered sugar bowl and waste

bowl, each of melon form, on 4 shell-and-scroll panel feet, with leaf-capped C-scroll handles, engraved with crest and initial S. Together with the following American

silver-plated table articles: a bowl, Reed & Barton, 1953, Revere style, monogrammed JEA, a water pitcher, monogrammed D, 2 shell-form ashtrays, engraved with crests, and a

toast rack. H.

A GROUP OF AMERICAN SILVER-PLATED TABLE ARTICLES, comprising: a two-handled tray, an oval platter, a shaped oval platter, a compartmented entree dish, a circular tray, a shaped

circular platter, all by International Silver Co., with gadroon rims, a covered entree dish, Poole, and a tizzy, both with gardening. L.

AMERICAN SILVER FIVE PIECE TEA AND
COFFEE SERVICE, Gorham Mfg. Co., 1927, comprising:
coffee pot, teapot, creamer, two-handled covered sugar
bowl and waste bowl, each of rectangular octagonal
section, with insolated harp-shaped handles,
monogrammed GD, 63 gross. H.

TWO PAIRS OF SILVER-PLATED THREE-LIGHT CANDELABRA, the first with gadroon border, the reefed curling branches with foliate knops, the second with bands of flowers, foliage and

shells, removable flame finials, both convertible to candlesticks. Together with a silver-plated snuffer, the cone in the form of a lighthouse. H.

GROUP OF AMERICAN SILVER SERVING
UTENSILS, comprising: a pair of salad servers, Wood &
Hughes, circa 1375, retailed by S. Hyman & Co., the
fan-shaped handles flat-chased with arabesques, a berry
spoon and a jam spoon, Whiting Mfg. Co., circa 1874, in
the Indian pattern, monogrammed L, a gravy ladle
Whiting Mfg. Co., circa 1895, in the Pompadour
pattern, monogrammed FCL, a berry spoon, retailed by
J.E. Caldwell, circa 1870, the gilt bowl bright-cut with
foliage, an olive spoon and a pair of sugar nips, Gorham
Mfg. Co., in the Plymouth pattern, and a jam spoon,
Gorham Mfg. Co., circa 1897, in the Lancaster Rose
pattern. Together with a Danish silver cheese knife,
Georg Jensen, in the Cactus pattern, and a Norwegian
silver cheese plane, David-Anderson. 12 weighable
silver.

AUSTRIAN SILVER THREE PIECE COFFEE
SERVICE WITH WOOD TRAY, J.C. Kinloch, Vienna,
late 19th century, comprising: coffee pot, creamer and
two-handled sugar bowl, each of pear form with
swirling lobes, the pot and creamer with carved wood
leaf-capped C-scroll handles, the creamer and sugar
bowl with gilt interior, the tray of oval cartouche form,
all in original fitted case. Together with a similar
German silver coffee pot, circa 1900. 42 gross
excluding tray.

GROUP OF AMERICAN SILVER TABLE ARTICLES, comprising: a water pitcher, Gorham Mfg. Co., 1950, ovoid, with gadroon shoulder and foot, leaf-capped C-scroll handle, a plate, Roger

Williams Silver Co., early 20th century, retailed by Bigelow, Kennard & Co., the border pierced and chased with scrolling foliage, flowers and latticework, a small child’s mug,

Waterloos Mfg. Co., circa 1906, with beaded lip, engraved Frederick/’06, 2 small bowls, Durbin Division of the Gorham Mfg. Co., both with embossed foliate borders, a small

plate, Frank M. Whiting Co., with plain surface, a child’s mug, maker’s mark EHB, circa 1931, with presentation inscription, and 4 other small bowls, one weighted, 72 weighable

silver. (11)

GROUP OF AMERICAN SILVER-MOUNTED DRESSING TABLE ARTICLES, comprising: a hand mirror and brush, Gorham Mfg. Co., 1896, each repose and chased in ‘Kirk’ style with flowers and

foliage, the first with monogram HMB, a hand mirror, brush and comb, Gorham Mfg. Co., a covered cut-glass jar, Woodside Sterling Co., a clothes brush, monogrammed WJD, another

cut-glass jar and a picture frame, no maker’s mark. Together with a pair of American 14kt. gold mounted cut-glass perfume bottles, Gorham, monogrammed HS, and an American

silver-mounted cut-glass inkwell on silver stand.

FIVE AMERICAN SILVER TABLE ARTICLES,
comprising: a bowl, Tiffany <Sc Co., 1907-1938, with
shaped circular reverted rim applied with band of
intersecting ribbon work enclosing rosettes,
monogrammed GSD, a plate, Tiffany & Co., 1947-1956,
of shaped circular form, with molded piecrust rim, a
footed bowl, Frank M. Whiting Co., retailed by Black,
Starr & Frost, with wavy averted rim, gadroon edging, a
bowl, International Silver Co., circular, with embossed
floral rim, monogrammed GKD, and a small plate,
Wallace, plain, with molded rim, 73 L.

GROUP OF CONTINENTAL SILVER TABLE ARTICLES, comprising: a pair of roosters, each with realistic feather details, a covered soup tureen, of lobed oval form, embossed, chased and

engraved with clusters of flowers, on 4 scrolling foliate feet, the domed cover with floral spray finial, a two-handled bread dish, embossed and chased with recoilless, the

center with 2 children near a ruin, and a caster, in the form of a standing cup, with dolphin-form standard, cupid finial, 132 L.

TWO PAIRS OF AMERICAN SILVER THREE-
LIGHT CANDELABRA, with gadroon borders, the first
by Gorham Mfg. Co., convertible to candlesticks, the
second by Presser, each weighted. H.

GROUP OF MEXICAN SILVER ARTICLES, comprising: a cigar box, rectangular, with plain surface, the hinged lid monogrammed JEA, with cedar-lined interior, a child’s porringer,

Suborns, the center engraved with 2 baby ducks, a small plate, Suborns, the border engraved with flowering vine, and a letter opener with carved jadeite handle. Together with a

Continental silver serving spoon, the flat handle in the form of a court lady, and a Continental lady’s shoe, 13 excluding box and opener. L.

GROUP OF SILVER ARTICLES, mostly
American, comprising: 6 napkin rings, an eyeglass case,
2 pill boxes, 2 matchbox covers, a salt, a child’s mug, a
lighter in the form of a chamber stick, 2 covered glass
condiment pots with matching spoons, 2 sets of 4
casters, 4 pairs of sugar nips, another caster, 2
ashtrays, 41 spoons and forks, and 9 servers. Together
with a silver-plated napkin ring. 83 weighable
silver.

THREE PAIRS OF AMERICAN SILVER
CANDLESTICKS, one by Gorham Mfg. Co., with
gadroon bases and fixed nozzles, another by Black,
Starr & Gorham, circa 1940, plain, and the third by
Duchy, with baluster stems, gadroon bases, all
weighted. Together with an American silver
candlestick, Gorham Mfg. Co., 1925, of faceted
baluster form, weighted, and with a pair of silver-
mounted cut ruby flashed glass hurricane shades. H.

GROUP OF AMERICAN SILVER FLATWARE, comprising: 6 dinner forks, 6 dinner knives, 6 teaspoons and 2 serving spoons, Towel Mfg. Co., in the Old English pattern, 5 teaspoons,

Dominick & Huff, retailed by Wm. Wise & Sons, in the Victoria pattern, 6 fruit spoons, International Silver Co., in the New Margaret pattern, 2 round soup spoons, Alvin Co., in

the Majestic pattern, 7 teaspoons, Frank Smith Silver Co., retailed by F.G. Polly, with bright-cut oval handles, one engraved May, a teaspoon, Reed & Barton, Les Cling Fleur

pattern, a teaspoon, Gorham Mfg. Co., Chant lily pattern, a teaspoon, Towel Silversmiths, Old Colonial pattern, a small serving fork, Whiting Mfg. Co., Louis XV pattern, a

child’s fork and spoon, International Silver Co., Joan of Arc pattern, 12 silver-gilt and enamel demitasse spoons, Gorham, a teaspoon, Gorham, Lancaster Rose pattern, 2

teaspoons, Gorham, Strasbourg pattern, and 2 sugar spoons, S. Kirk, Repose pattern, various monograms, 47 excluding knives.

GROUP OF AMERICAN AND ENGLISH
SILVER-PLATED TRAYS AND PLATTERS, comprising:
a two-handled galleried tray, a two-handled octagonal
tray, monogrammed GD, 2 small well-and-tree platters,
a two-handled elongated rectangular tray,
monogrammed GSD, a circular tray, engraved with
crest, a compartmented circular dish, applied with
grapevine at the rim, and 2 circular salvers on scroll
feet.

LARGE GROUP OF SILVER-PLATED TABLE
ARTICLES, comprising: a Georgian style 3-piece
coffee service, a cocktail shaker, a coffee pot, a
teapot, a water pitcher, a shaped rectangular salver, 2
covered entree dishes, 2 open vegetable dishes, a small
covered vegetable dish, a 4-piece coffee service, a
small oval salver, a pair of book ends, a sauceboat with
attached under plate, a circular dish, a shaped
rectangular dish, 2 shallow bowls, a 3-panel table
screen, a creamer, a child’s mug, 2 casters and 2
matching salts, with one liner, a dinner bell, 2 ashtrays,
a burner, a rectangular stand, and 39 flatware articles.

GERMAN SILVER PART DESSERT SERVICE, RUSSIAN ICONS WITH SILVER OKHLADS, SILVER SEDER PLATE, SILVER FIVE PIECE TEA AND COFFEE SERVICE, Tiffany & Co.

GROUP OF SILVER TABLE ARTICLES,
comprising: a Dutch spoon, maker’s mark TM in
monogram, Groningen, 1651, with rat-tail bowl,
pomegranate finial, engraved on back of bowl MA &
PH, an American water pitcher, Gorham Mfg. Co.,
1907, of oval section, with fluted lower body, molded
lip, monogrammed LVH, 2 American porringers, one by
Duhamel & Co., the other by Rogers, Lunt & Bowled Co.,
both with pierced handles, and an American cigarette
box in the form of a late 18th century tea caddy, with
carved ivory cone finial, 40 gross. L.

FOUR CONTINENTAL AND ENGLISH SILVER
TABLE ARTICLES, the first a French Rococo style
centerpiece bowl, Paris, circa 1900, oblong, repose,
chased and applied with flowers, foliage, scrolls and
shell work, with 4 scroll cartouches containing musical
and horticultural trophies and monogram EPG, on 4
leafy scroll legs capped with female masks and
shell work, the second a German Rococo style
centerpiece, E. Goldschmidt, circa 1900, oval, with
pierced scroll and shell work rim, applied with 2 foliate
scroll handles, on 4 openwork scroll feet, the center
chased with rococo cartouches, the third a German
Neoclassical style mounted clear glass centerpiece,
early 20th century, oval, with reed-and-tie border, harp-
shaped handles, reticulated sides, and the last a cake
basket, possibly H. Woodward & Co., Sheffield, 1859, of
shaped circular form, applied and pierced with foliate
scrolls, with upright swing handle, engraved with
interlocking initials GBD, 106 excluding glass liner.

GERMAN SILVER PART DESSERT SERVICE,
with scroll edged handles, comprising: 12 cake forks, 12
teaspoons, 13 ice cream spoons, 12 fruit forks, 5 serving
spoons, 5 serving slices, 2 fish knives and a pair of sugar
tongs, 83 weighable silver.

CONTINENTAL SILVER SPICE-BOX AND A SILVER ETROG CONTAINER, the first possibly German, late 19th/early 20th century, of inverted pear form, chased with flowers at intervals, the

detachable cover with spread-winged bird and bell finial, the detachable leafy and flowering stem applied with a lion rampant and a bird, all on domed base repose and chased

with flowers and foliage, the second, early 20th century, of ergo form, on 4 ball feet, the hinged lid repose and chased with fruit and foliage, engraved with Hebraic

inscription, 17H.

CONTINENTAL SILVER HANUKAH LAMP, the
arched backplane surmounted by a crown, embossed and
chased with 2 lions flanking the Decalogue on a
starburst ground and with flowers and foliage, the
rectangular base with 8 crowned lion-form oil
receptacles, on 4 leafy panel feet, struck with London
import marks, with a silver lion-form servant light.

THREE RUSSIAN ICONS WITH SILVER
OKHLADS, the first of Christ Pantocrator, with
reposes and chased parcel-gilt okhlad, P. Ovchinnikov,
Moscow, 1878, the second of St. Nicholas, with parcel-
gilt okhlad, Cyrillic maker’s mark DG, Moscow, 1893,
and the third of 2 selected saints, male and female,
under Christ in clouds, with silver and cloisonne
enamel okhlad, Moscow, 1881. Together with an icon
with silver-plated okhlad, of 4 selected saints flanking a
gilt and enamel crucifix below Christ in clouds and 2
angels. H.

PAIR OF CONTINENTAL EMPIRE STYLE
SILVER TWO-LIGHT CANDELABRA, probably German,
circa 1825, each on domed circular base with band of
berried foliage, rising to tapering standard with 4 paw
feet and Egyptian male head, surmounted by 2 branches
capped with scrolling leaves, terminating in sconces and
drip-pans with gadroon rims, apparently unmarked, 29
H.

SIX SILVER PICTURE FRAMES, all
rectangular, 2 with double oval apertures, one with
reefed border, with easel supports.

SIX SILVER PICTURE FRAMES, five
rectangular, one oval, one with reefed border, with
easel supports.

INDIAN COLONIAL SILVER CUP AND COVER,
George Gordon & Co., Madras, circa 1830, of camping
form, the lower body with fluting alternating with
trefoils, the rim of the lid, the knap and the domed foot
chased or applied with bands of stylized foliage, the
shoulder and lid applied with grapevine, with bud finial
centered by leaves, engraved with crest, gilt interior,
27 H.

HUNGARIAN SILVER SEDER PLATE AND A
CONTINENTAL SILVER ETROG CONTAINER, 20th
century, the first circular with crenulated rim, the
flange embossed with 2 vignettes relating to Passover,
alternating with fruit clusters, the center embossed
with the order of the Seder in Hebrew, the second of
oval section, embossed with bands of flowers and
foliage, on 4 fruit-and-paw feet, the hinged domed lid
with fruit finial, engraved with inscription in Hebrew,
42 L.

GEORGE III SILVER SAUCEBOAT, maker’s mark rubbed, London, 1770, of oval bombe form with gadroon rim, multi-scroll leaf-capped handle, on 3 scroll supports headed and resting on

shells, engraved on one side with the arms of the 4th Earl of Sandwich and the motto Post Tot Neuralgias Partum, and on the other with a crest under an earl’s crown, 15.

GROUP OF GEORGE III SILVER TABLE ARTICLES, comprising: a teapot, Wm. Bur wash & Richard Sibley, London, 1806, of squat spherical form with flared collar, slightly domed hinged

cover, wood C-scroll handle and finial, marked on base and cover, an Irish two-handled cup, Matthew West, Dublin, 1789, of bell shape on reefed trumpet foot, the lip bright-cut

and pinpricked with band of ribbon work, double C-scroll handles, the base later engraved with presentation inscription, and 2 matching pairs of open salts, each rectangular

with rounded angles, gadroon foot, the gadroon rim with shells enclosed by leaves at intervals, gilt interior, the first pair by Rebecca Ernest & Edward Barnard, London, 1776,

the second by J.W. Story & W. Elliott, London, 1812, 43 H.

AMERICAN SILVER FIVE PIECE TEA AND COFFEE SERVICE, Tiffany & Co., 1891-1907, comprising: coffee pot, teapot, hot water jug, creamer and two-handled covered sugar bowl, each of

oval section, with verticals ribs at intervals, applied with bands of shells and scrolls, with leaf-capped C-scroll handles, ivory supports, the domed covers and baluster

finials with conforming decoration, monogrammed LEMC, 93 gross. H.

THREE GEORGE II/III SILVER TABLE
ARTICLES, comprising: a creamer, Hester Bateman,
London, 1785, of helmet form on a circular pedestal
foot resting on a square base, with embossed beaded
rim, partly gadrooned loop handle, monogrammed SW, a
pap boat, maker’s mark rubbed, London, 1755, of boat
form with barbed rim, and an oval teapot stand, maker’s
mark obscured, London, 1799, on 4 slipper feet, the
center pinpricked with border of stylized foliage and
crest, 9 H.

TWO GEORGIAN SILVER SNUFF BOXES AND AN EDWARDIAN SILVER MATCHSAFE, the first by Joseph Taylor, Birmingham, 1826, oblong with engine-turned hinged lid and bottom, empty circular

cartouche, reefed sides, the thumb piece with flat-chased flower head centered by scrolling foliage, gilt interior, the second by Joseph Wilmore, Birmingham, 1807, of flattened

oval form, engraved and pinpricked with flower heads and amorphous sections, the top with a rectangular hinged panel, gilt interior, and the third with maker’s mark HG & SL

Ltd., Chester, 1903, of shaped rectangular form, bright-cut with scrolling foliage and monogrammed JH. L.

ENGLISH ART NOUVEAU SILVER-MOUNTED
PICTURE FRAME, Martin Hall & Co., Birmingham,
1904, of shaped rectangular form, embossed and chased
with cinquefoils and foliage, on wooden backing, with
easel support.

AMERICAN EMPIRE SILVER THREE PIECE
COFFEE SERVICE, J.I. Montello & Charles M. Williams,
New York, circa 1825, comprising: coffee pot, creamer
and two-handled covered sugar bowl, each of lobed and
ribbed pear form, on 4 leaf-capped paw-and-ball feet,
with leafy C-scroll handles, applied with bands of
flowers and leaves, the domed covers chased with
flowers and foliage, with bouquet finials, the coffee pot
with fierce dog’s head spout, chased at the base with
recoilless, monogrammed EC, each stamped on one leg
with maker’s mark, 100 H.

SET OF FOUR ENGLISH QUEEN ANNE STYLE
SILVER CANDLESTICKS, Thos. Bradbury 3c Sons,
London, 1927, each with octagonal drip-pan, sconce,
stem and base, weighted. H.

ENGLISH SILVER BOX AND A PAIR OF
SHEFFIELD PLATED WINE COASTERS, the first by
As prey’s & Co., London, 1911, of rectangular cartouche
form, with molded rims, 2 lion mask and ring handles,
the second, late 18th century, circular, engraved and
pierced with bands of quatrefoils framing a row of
rosettes connected by floral swags, beaded rim,
mounted on wood bases, 23 excluding coasters. L.

ROCOCO STYLE SILVER-PLATED FIVE-LIGHT CANDELABRA, AMERICAN SILVER FIVE PIECE TEA AND COFFEE SERVICE, Tiffany & Co., GEORGIAN SILVER WINE COASTERS

GROUP OF AMERICAN SILVER TABLE
ARTICLES, comprising: a pair of pierced sweetmeat
dishes, Tiffany & Co., 1902-1907, oblong, with beaded
rims, on 4 ball feet, monogrammed SH and TH, a tray,
an oil lamp and a small dish, Dominick & Huff, 1901,
each with snake handles, a pair of asparagus tongs,
Tiffany & Co., 1902-1907, in the Atlantis pattern,
monogrammed HMT, a three piece child’s set, Towel
Silversmiths, in the Lafayette pattern, monogrammed
BM, and a gravy ladle, Frank M. Whiting, with reefed
hourglass handle, traffic terminal, 45 L.

GROUP OF AMERICAN SILVER TABLE
ARTICLES, comprising: a set of 12 butter plates,
Gorham Mfg. Co., with gadroon border, monogrammed
A, a set of 12 nut dishes, Black, Starr & Frost, with
beaded rims, monogrammed STH, a caster, Black, Starr
& Frost, of pear form with urn finial, monogrammed
LTH, a hot milk pitcher and a small plate, Tuttle
Silversmiths, the first a reproduction of the original by
William Fleming, London, 1725 with wood handle, both
retailed by the Phillip H. Stevens Co., and an overlay
glass stopper, Gorham Mfg. Co., of faceted globular
form. Together with an English silver-plated entree
dish, Adie Bros., with gadroon rims, and a silver-plated
small covered dish, with beaded borders, engraved with
crest. 57 weighable silver.

GROUP OF GEORGIAN AND VICTORIAN SILVER FLATWARE, comprising: a stuffing spoon and a sauce ladle, Geo. Smith ? Wm. Fears, London, 1792, the first Old English pattern, monogrammed

P, the second with threaded fiddle handle engraved with crest, a marrow scoop, maker’s mark obscured, London, 1746, a meat skewer, maker’s mark BP with pellet between, London,

1775, monogrammed FG, a pair of gravy ladles, maker’s mark WC, Edinburgh, 1835, fiddle handles monogrammed DEM, stamped 5 and 6, a sugar shovel, Benny Stephens, London, 1834,

fiddle handle monogrammed ER, a pierced sugar spoon, A.B. Savory, London, 1833, fiddle handle monogrammed N, a condiment spoon, maker’s mark CB, London, 1867, fiddle pattern,

monogrammed REB, another sauce ladle, George Angell, London, 1856, Old English, monogrammed C, and a pair of sugar scissors, maker’s mark only SC with pellet between, 14.

VICTORIAN SILVER TEAPOT AND FIVE
ENGLISH SILVER CREAMERS, London, the pot with
maker’s mark TS with pellet between, 1860, of pear
form, embossed and chased with recoilless, on 4 leafy
scroll feet, the hinged domed cover with bird and acorn
finial, double C-scroll handle with ivory supports, the
first creamer by Thomas Shepherd, 1777, of pear form,
beaded rim, double C-scroll strap handle, on 3 tepid
feet, the second possibly by William Brown, 1777, of
shaped rectangular section on 4 ball feet, gadroon lip,
graduated bead handle, the third Alexander Field, 1800,
oval section, harp-shape handle, engraved with pattered,
the fourth William Bateman II, 1834, of ribbed pear
form with acanthus lip, leafy shell-and-paw feet, and
the last probably Richard Fennel, 1869, pear form,
triple C-scroll handle, engraved with wreaths of roses,
50 gross. H.

PAIR OF CONTINENTAL ROCOCO STYLE SILVER-PLATED FIVE-LIGHT CANDELABRA, each on shaped circular base chased with foliate scrolls and diaper work, rising to conforming baluster

stem, tulip-form sconces, the detachable branches with 4 leafy scrolling arms around the standards, terminating in conforming drip-pans and sconces. H.

GROUP OF GEORGE III SILVER TABLE ARTICLES, comprising: a teapot, Wm. Bur wash & Richard Sibley, London, 1806, of squat spherical form with flared collar, slightly domed hinged

cover, wood C-scroll handle and finial, marked on base and cover, an Irish two-handled cup, Matthew West, Dublin, 1789, of bell shape on reefed trumpet foot, the lip bright-cut

and pinpricked with band of ribbon work, double C-scroll handles, the base later engraved with presentation inscription, and 2 matching pairs of open salts, each rectangular

with rounded angles, gadroon foot, the gadroon rim with shells enclosed by leaves at intervals, gilt interior, the first pair by Rebecca Earns & Edward Barnard, London, 1776,

the second by J.W. Story & W. Elliott, London, 1812, 43 H.

AMERICAN SILVER FIVE PIECE TEA AND COFFEE SERVICE, Tiffany & Co., 1891-1907, comprising: coffee pot, teapot, hot water jug, creamer and two-handled covered sugar bowl, each of

oval section, with verticals ribs at intervals, applied with bands of shells and scrolls, with leaf-capped C-scroll handles, ivory supports, the domed covers and baluster

finials with conforming decoration, monogrammed LEMC, 93 gross. H.

THREE GEORGE II/III SILVER TABLE
ARTICLES, comprising: a creamer, Hester Bateman,
London, 1785, of helmet form on a circular pedestal
foot resting on a square base, with embossed beaded
rim, partly gadrooned loop handle, monogrammed SW, a
pap boat, maker’s mark rubbed, London, 1755, of boat
form with barbed rim, and an oval teapot stand, maker’s
mark obscured, London, 1799, on 4 slipper feet, the
center pinpricked with border of stylized foliage and
crest, 9 H.

TWO GEORGIAN SILVER SNUFF BOXES AND AN EDWARDIAN SILVER MATCHSAFE, the first by_ Joseph Taylor, Birmingham, 1826, oblong with engine-turned hinged lid and bottom, empty circular

cartouche, reefed sides, the thumb piece with flat-chased flower head centered by scrolling foliage, gilt interior, the second by Joseph Wilmore, Birmingham, 1807, of flattened

oval form, engraved and pinpricked with flower heads and amorphous sections, the top with a rectangular hinged panel, gilt interior, and the third with maker’s mark HG & SL

Ltd., Chester, 1903, of shaped rectangular form, bright-cut with scrolling foliage and monogrammed JH. L.

ENGLISH ART NOUVEAU SILVER-MOUNTED
PICTURE FRAME, Martin Hall & Co., Birmingham,
1904, of shaped rectangular form, embossed and chased
with cinquefoils and foliage, on wooden backing, with
easel support. H.

AMERICAN EMPIRE SILVER THREE PIECE
COFFEE SERVICE, J.I. Mosel & Charles M. Williams,
New York, circa 1825, comprising: coffee pot, creamer
and two-handled covered sugar bowl, each of lobed and
ribbed pear form, on 4 leaf-capped paw-and-ball feet,
with leafy C-scroll handles, applied with bands of
flowers and leaves, the domed covers chased with
flowers and foliage, with bouquet finials, the coffee pot
with fierce dog’s head spout, chased at the base with
recalls, monogrammed EC, each stamped on one leg
with maker’s mark, 100 H.

SET OF FOUR ENGLISH QUEEN ANNE STYLE
SILVER CANDLESTICKS, Thos. Bradbury & Sons,
London, 1927, each with octagonal drip-pan, sconce,
stem and base, weighted. H.

ENGLISH SILVER BOX AND A PAIR OF
SHEFFIELD PLATED WINE COASTERS, the first by
As prey’s & Co., London, 1911, of rectangular cartouche
form, with molded rims, 2 lion mask and ring handles,
the second, late 18th century, circular, engraved and
pierced with bands of quatrefoils framing a row of
rosettes connected by floral swags, beaded rim,
mounted on wood bases, 23 excluding coasters. L.

PAIR OF ENGLISH SILVER-PLATED THREE-
LIGHT CANDELABRA, early 20th century, silver-on-
copper, the drip-pans, sconces, stems and bases of boat-
form section, with reefed bands and curling branches,
bases weighted. H.

SET OF FOUR GEORGIAN SILVER WINE COASTERS, London, late 18th/early 19th century, each with turned wood base, the sides pierced and engraved with scrolling flowering vine

between engraved wriggle work, with beaded lip, marks obscured, one with date letter for either 1781 or 1821. D.

PAIR OF ENGLISH GEORGE II STYLE SILVER
CANDLESTICKS, Crichton Bros., London, 1928, the
square bases with incurved angles, with conforming
baluster stems and banded sconces, removable drip-
pans, weighted. H.

ART DECO BLACK ENAMELED SILVER CIGARETTE BOX, Cartier, circa 1925, rectangular with rounded corners, the hinged lid applied with gold monogram CHB, opening to reveal gilt

interior, signed Cartier, in fitted Cartier box. Together with a French gold-mounted tortoiseshell cigarette ease, circa 1910, rectangular, applied with gold letters HC in a

diamond, an English silver vinaigrette, late 18th or 19th century, of rectangular reefed cushion-form, with gilt interior and grill, marks obscured, a French silver small box,

19th century, with engine-turned hinged lid, a traveling silver cork screw, of etui form with pendant ring, a rose quartz, cut glass and tortoiseshell parasol handle, and a

carved ivory letter opener.

GROUP OF SILVER TABLE ARTICLES,
comprising: a Dutch spoon, maker’s mark TM in
monogram, Groningen, 1651, with rat-tail bowl,
pomegranate finial, engraved on back of bowl MA &
PH, an American water pitcher, Gorham Mfg. Co.,
1907, of oval section, with fluted lower body, molded
lip, monogrammed LVH, 2 American porringers, one by
Duhamel & Co., the other by Rogers, Lunt & Bowler Co.,
both with pierced handles, and an American cigarette
box in the form of a late 18th century tea caddy, with
carved ivory cone finial, 40 gross. L.

FOUR CONTINENTAL AND ENGLISH SILVER
TABLE ARTICLES, the first a French Rococo style
centerpiece bowl, Paris, circa 1900, oblong, repose,
chased and applied with flowers, foliage, scrolls and
shell work, with 4 scroll cartouches containing musical
and horticultural trophies and monogram EPG, on 4
leafy scroll legs capped with female masks and
shell work, the second a German Rococo style
centerpiece, E. Goldschmidt, circa 1900, oval, with
pierced scroll and shell work rim, applied with 2 foliate
scroll handles, on 4 openwork scroll feet, the center
chased with rococo cartouches, the third a German
Neoclassical style mounted clear glass centerpiece,
early 20th century, oval, with reed-and-tie border, harp-
shaped handles, reticulated sides, and the last a cake
basket, possibly H. Woodward & Co., Sheffield, 1859, of
shaped circular form, applied and pierced with foliate
scrolls, with upright swing handle, engraved with
interlocking initials GBD, 106 excluding glass liner.

GERMAN SILVER PART DESSERT SERVICE,
with scroll edged handles, comprising: 12 cake forks, 12
teaspoons, 13 ice cream spoons, 12 fruit forks, 5 serving
spoons, 5 serving slices, 2 fish knives and a pair of sugar
tongs, 83 weighable silver.

GEORGE III OVAL SILVER TEAPOT, CIRCULAR SILVER DISH, TAPERED CYLINDRICAL SILVER TANKARD, SAUCE TUREEN AND COVER, GEORGE III OVAL TEAPOT

А GEORGE III OVAL TEAPOT, crested on one side between broad bands of wrigglework bordered vermicelli, straight spout, wood loop handle and button finial, the domed cover,

shoulder and base all with reeded borders, 63/»w. high, marked on base and cover, by Peter & Ann Bateman, London, 1794, 17oz. 6dwt.

A GEORGE III CIRCULAR SILVER DISH, engraved with
armorials on the raised rim below the applied
border of shell and honevsuckle bloom punctu-
ated leafage, 10xldn. diam., by Paul Storr,
London, 1815, 28oz. 8dwt.

A GEORGE III OBLONG SAUCE SILVER TUREEN AND COVER, the tureen engraved with armorials and a crest within scroll cartouches between chased lobes, gadroon rim with leaves and shells at

the angles, on paw feet, foliate end handles, similar handle to the domed cover, 8in. over all, fully marked, byj. Angell, London, 1816, 25oz. 7dwt.

A GEORGE III ONSLOW PATTERN SOUP LADLE,
crested on the upper stem, fluted bowl, makers
mark TF, possibly Thomas Foster, London, 1767,
4oz. 10dwt.

A GEORGE II SHAPED SILVER CIRCULAR WAITER,
engraved with armorials within foliate mantling,
raised and applied shell and scroll border, on
four hoof feet, diam., by John Harvey,
London, 1745, 7oz. I7dwt.
*** The Arms are those of Phelps, Russell Square, London

A SILVER QUEEN ANNE BELL-SHAPED TwO-HANDLED
CUP, engraved with armorials within a scroll
and foliate surround and above an applied
girdle, harp-shaped handles, on a spreading
base, 8lkin. high, by Thomas Bolton, Dublin,
1704/5, 44oz. 2dwt.

A GEORGE III OVAL TEAPOT, later chased with scrolls and blooms incorporating two vacant cartouches, straight spout, wood loop handle and button finial, 6lkin. high, by Hester

Bateman, London, 1786, 14oz. 14dwt.

A GEORGE I TAPERED SILVER CYLINDRICAL TANKARD,
later engraved with a crest and motto above an
applied girdle, skirt base and loop handle
initialled MC, the stepped domed cover with
volute thumbpiece, high, marked on body,
cover and handle, by James Smith I, London,
1720, 24oz. 16dwt.

A SILVER GEORGE III COVERED SILVER CIRCULAR JUG, the bodv
and slightlv domed cover part lobed, applied
girdle of egg and dart motifs, gadroon rim, on а
spreading base, raffia covered angular handle,
bud finial, 51kin. high, makers mark rubbed,
London, 1814, 15oz.

А PAIR OF WILLIAM AND MARY TABLE
CANDLESTICKS, the octagonal bases engraved
with armorials above scalloped and gadrooned
bands, columnar stems, 7Угт. high, makefs
mark D.B. a mullet above, an annulet beloiv,
London, 1690, l6oz. 18dwt.
*** The Arms are those of Lee quartering Ashlev

AN ELIZABETH I SILVER-MOUNTED TIGERwARE JUG, the mount typically engraved with a band of scrolling arabesques, below the initials R.E.,
high, by Christopher Tanner, Norwich,
circa 1581.

A GEORGE II TWO-HANDLED CUP, the bell-shaped body engraved with armorials above an applied girdle, double scroll handles and on spreading foot, 63Am. high, by William Totvnsend,

Dublin, circa 1740, 21oz.

A QUEEN ANNE SILVER TWO-HANDLED CUP, the bell-
shaped body later engraved with armorials
above an applied girdle, harp-shaped handles
and on spreading foot, the underside initialled,
7%ш. high, makers mark indistinct, Dublin,
1708, 33oz. ldzot.

A GEORGE III SILVER TwO-HANDLED CUP, the bell-shaped body engraved with armorials within а foliate scroll cartouche above an applied girdle, leaf-capped double scroll handles and on

spreading foot,  high, by R. Williams, Dublin, circa 1770, 35oz. lidzot.
*** The Arms are those of Adams of Tydd St Магу, Со. Lincoln.

A GEORGE II TwO-HANDLED CUP, the bell-shaped body engraved with armorials within а scroll and foliate cartouche, surmounted by а crest, leaf-capped double scroll handles, and on

spreading foot,  no makers mark, Dublin, circa 1760, 32oz. 9dwt.
*** The Arms are those of Humfrey or Humphrey

A PAIR OF GEORGE III SHAPED CIRCULAR SALVERS
engraved in the centre with armorials within an
asvmmetrical foliate scroll cartouche below the
gadroon rims interrupted by shells, volute feet,
7Vzm. diam., by Thomas Heming, London, 1756,
20oz. 12dwt.
*** The Arms are those of Webb of Clifford, Со. Somerset

A PAIR OF GEORGE III OVAL SILVER SAUCE TUREENS, COVERS AND STANDS, the compressed bodies crested and chased with lobes below waved gadroon rims and foliate end grips, the domed lids

ribbed below leafy handles, the stands engraved with armorials within similar gadroon and foliate borders, 9in. overall, fully marked, by Thomas Heming, London, 1769, 59oz.

4divt.

A PAIR OF GEORGE III CIRCULAR SALVERS
engraved in the centres with armorials within
reeded borders, each on three panei feet, Min.
diam., by Elizabeth Jones, London, 1790, 85oz.
2dwt.

A SET OF FOUR SILVER GEORGE II SILVER TABLE CANDLESTICKS,
the shaped square bases moulded with shells at
the corners and armorial engraved below double
knopped twisted baluster stems supporting
spool-shaped sconces with detachable crested
nozzles, cord borders, llin. high, marked on
bases and nozzles, by Thomas Heming, London,
1759, llloz. Sdwt.
*** The Arms are those of Webb of Clifford, Со. Somerset

A GEORGE II SHAPED OVAL SILVER САКЕ BASKET engraved with armorials below pierced scrolls and saltires, the rim applied with scrolls and florai spravs, carvatid swing handle, the four

shell feet headed by maiden masks, 14xhin. long, by George Methuen, London, 1748, 60oz. 13dwt.
The Arms are the same as the precedin.

HELMET-SHAPED SILVER CREAM JUG, GEORGE II SHAPED CIRCULAR SALVERS, SILVER TABLE CANDLESTICK, GEORGE IV SILVER-GILT CIRCULAR SEAL, SILVER CYLINDRICAL BEAKER

A HELMET-SHAPED SILVER CREAM JUG, applied with а
reeded girdle and chased with scrolls, florai
clusters, a beast and a mask, also incorporating а
crested cartouche, double scroll handle, on three
shell headed hoof feet, 4 high, marks rubbed,
Dublin, circa 1750, 6oz. 6dwt.

Two GEORGE II MATCHING OVAL SAUCE BOATS,
the stepped bodies engraved wtih two crests
below the waved rims, with leaf capped double
scroll handles, each on three hoof feet, 8/гт., one
by Francis Nelme, 1735, the other by Gabriel Sleath,
1743, both London, 31oz. 4dwt.

A PAIR OF GEORGE III TELESCOPIC TABLE CANDLE-
STICKS, the stepped circular bases, twin knops and
detachable nozzles all foliate gadroon applied,
high extended, fully marked, by J. & T.
Settle, Sheffield, 1816.

A PAIR OF GEORGE II SHAPED CIRCULAR SALVERS, plain within raised and applied shell punctuated gadroon borders, hoof supports, 63 diam., by W. &R. Peaston, London, 1758, 17oz.

5dwt.

A GEORGE II BALUSTER MUG, with double scroll
handle, initialled on the underside, on a spreading
base, gilt interior, 4Vein. high, makers mark
rubbed, London, 1734, 13oz. ldwt.

A GEORGE II TAPERED CYLINDRICAL SILVER COFFEE РОТ, plain, with partlv faceted curved spout, the stepped domed lid with bell-shaped finial, 9/пп. high, marked on base and lid, by

Thomas Tearle, London, 1732, 23oz. 9dwt.

A PAIR OF GEORGE II SILVER TABLE CANDLESTICKS, the
shaped square bases cast and chased with shells at
the angles and engraved with armorials rising to
knopped lobed and fluted stems and spool-shaped
sconces, the detachable nozzles conforming in
outline, 7/гт. high, marked on bases and sconces,
by John Cafe, London, 1747, one nozzle by another,
32oz 18dwt.

A  WlLLIAM AND  MARY  CIRCULAR  SALVER  ON
FOOT, initialled on the underside, with raised
gadroon rim and trumpet foot,diam.,
marked on body and foot, makers mark К croivned,
possibly for Jonah Kirke (Jackson p. 146), London,
1691, 16oz. 19dwt.

A GEORGE II SILVER TABLE CANDLESTICK, the shaped
square base cast and chased with shells at the
angles rising to a knopped lobed and fluted stem
and spool-shaped sconce, corded borders, 8
high, marked on base and sconce, by John Cafe,
London, 1754, 16oz. 16dwt.

A PAIR OF GEORGE II OVAL SAUCE BOATS, with  waved rims and leaf capped flving double scroll handles, each on three hoof feet, 6l, by William Cripps, London, 1745, 22oz. 6dwt.

A QUEEN ANNE SILVER BALUSTER CASTER, engraved with a crest above an applied girdle, on a spreading foot, the sleeved cover pierced with stvlized foliage below the bun finial, 63

high, by Charles Adam, London, 1712, 7oz. 10dwt.

A GEORGE III SHAPED SILVER CIRCULAR SALVER engraved
in the centre with armorials above crossed foliate
spravs, the border decorated with husk swags and
paterae below the applied gadroon rim, Min.
diam. makers mark indistinct but аррагепиу in а
serrated surround and possibly the mark of John
Laughlin, Lloyd or Locker, Dublin, 1779, 36oz.
12dwt.
The Arms are those of Fetherstonhaugh of Bracklvn Castle со. Westmeath impaling Wolfe, for Cuthbert Fetherstonhaugh (d. 1817) of Mosstovra who was High Sheriff in 1781 and

married in 1770, Магу daughter of Theobald Wolfe.

A GEORGE I CYLINDRICAL TANKARD with applied girdle and rim foot, scroll handle with shield terminal, the domed lid with volute thumbpiece, 7in. high, marked on body, lid and

handle, by Thomas Langford, London, 1718, 24oz. 7dwt

ROYAL: A GEORGE IV SILVER-GILT CIRCULAR SEAL Вох, the lid embossed with the Royal Coat of Arms and with an applied border of oak leaves and acorns, the body of plain form with

moulded borders, 7in. diam., marked on base and lid, by Phillip Rundell, London, 1820, 21oz. 6dwt.
*** A similar Seal Вох by Phillip Rundell, London, 1822 appointing William Turner as Ambassador to the Sublime Porte at Constan-tinople from 1820 to 1825 was sold in these Rooms

on 19th June 1969. Seal Boxes by Paul Storr have been sold by Sothebys on 12th December 1974 and 24th June 1980 (at Lennoxlove), and by John Bridge (a pair) on 18th December
A GEORGE I MUG, of tapered cylindrical form, with tuck-in base, scroll handle and gilt interior, initialled on the underside, 37/sin., high, by William Fleming, London, 1720,

9oz. 3dwt.

A QUEEN ANNE TAPERED SILVER CYLINDRICAL MUG,
fluted below an incised girdle topped by punched
leaf motifs, later initialled above and within а
scroll and scale cartouche, skirt base, scroll
handle, 33 high, makers mark WA conjoined,
probably that of Thomas Waterhouse, London,
1710, 5oz. 18dwt.

AN EARLY GEORGE II FLARED SILVER CYLINDRICAL BEAKER, engraved with armorials within a foliate scroll and brickwork cartouche, ЗАт. high, by William Darker, London, 1727, 3oz.

V The Arms are those of Montagu quartering Monthermer
A JAMES II PORRINGER, lightly pricked with
initials, scroll handles, high, makers mark
FS, London, 1685, 6oz. 9dwt

A CHARLES II PORRINGER, the lower body chased
with acanthus, scroll handles, 3in. high, makers
mark DG and two fleur-de-lys in a lozenge (Jackson
p. 138), London, 1679, 5oz. 9dwt.

A GEORGE I BALUSTER SILVER MILK JUG engraved with two sets of initials, short spout, scroll handle and on spreading foot, the underside also initialled, 4in. high, by Colin

McKenzie, Assay Master Edzoard Penman, Edinburgh, 1719, 5oz. 2dwt.

A GEORGE II SHAPED CIRCULAR SALVER, engraved
with armorials within a scrolling foliate, mask and
scalework surround, also flat chased with a band
of shells and diaper motifs below the raised and
applied scroll border, on four volute supports,
in. diam., by George Hindmarsh, London,
1736, 40oz. 2dwt.

GEORGE III SHAPED CIRCULAR SALVER, FOUR-BOTTLE SILVER CRUET FRAME, GEORGE III BALUSTER MILK JUG, GEORGE II BELL-SHAPED TWO-HANDLED CUP

A GEORGE III SHAPED CIRCULAR SALVER, engraved
in the centre with armorials and with a band of
trailing foliage below the raised and applied
gadroon border, on three hoof feet, 16in. diam.,
makers mark G & M, Edinburgh, 1796, 42oz.
13dwt.

A SET OF FOUR GEORGE III FACETED NAVETTE
SAUCE TUREENS AND COVERS, with reeded rims
and loop handles, the spreading bases and domed
covers conforming in outline, urn-shaped finials,
10  over handles, marked on bases and
covers, by Непгу Chawner, London, 1786/88,
65ozs. 6dwt.

A GEORGE III OVAL VASE-SHAPED SILVER COFFEE РОТ,
engraved with armorials on one side and a crest
on the other within foliate swag cartouches,
curved spout and pedestal base, the domed lid
with spherical finial, reeded borders, ll high,
marked on base and lid, by Robert Gaze, London,
1796, 29oz. 4dwt.

A GEORGE III SHAPED CIRCULAR SALVER, engraved with a crest and motto, raised and applied gadroon border, on three hoof feet, llin. diam., by Richard Rugg, London, 1763, 23oz.

9dwt.

A GEORGE III FOUR-BOTTLE SILVER CRUET FRAME, the
quatrefoil base pierced with paies and raised on
four ball-and-claw feet, beaded borders and
central ring handle, complete with cut glass
bottles and silver labels engraved for  Soy,
Lemon and Ketchup. high, marked on base,
handle and labels, by Thomas Daniell, London,
1777, 5oz. 6dwt.

A GEORGE III BOAT-SHAPED SWEETMEAT SILVER BASKET,
the lower body wriggleworked with simulated
lobes enclosing bright cut husks and other motifs,
further bright cut with a similar band below the
beaded rim, swing handle, on a spreading base,
7in., London, 1786, 6oz.
6dwt.

A GEORGE II TAPERED CYLINDRICAL COFFEE РОТ,
with tuck-in base, ribbed and curved spout, the
stepped domed lid with bell-shaped finial, the
underside later inscribed and dated 1752, 8*Мп.
high, marked on body and lid, by Gabriel Sleath,
London, 1744, 20oz.

A GEORGE III BOAT-SHAPED SWEETMEAT SILVER BASKET, bright cut with husk swags incorporating two pendant vacant ovals above piercing and wriggle-work engraving simulating lobes

and below а further pierced band of interlaced ovals, beaded rim and reeded swing handle, on a spreading base, 5/2in. , by Thomas Chawner, London, 1785, 4oz. 14dwt. (excluding

ruby glass liner)

A GEORGE III TAPERED CYLINDRICAL MUG
initialled above the tuck-in base, leaf capped
double scroll handle, 5in. high, by Charles Wright,
London, 1778, 16oz. 12dwt.

A GEORGE III BALUSTER MILK JUG, with flat belly,
moulded rim and reeded angular handle, the
underside inscribed, high, makers mark
rubbed, London, 1805, 4oz. 4dwt.

A GEORGE III OVAL TEA TRAY, engraved with armorials within draperv mantling, gadroon borders and foliate mounted loop handles, on four panei supports,  over handles, by Hannam

and Crouch, London, 1803, 104oz. 14dwt.

A GEORGIAN SHAPED SILVER CIRCULAR SALVER, armorial engraved within a rocaille and flower cartouche, raised and applied foliate scroll border, four pad supports, 15in. diam., by

Edward Wakelin, London, mid-18th century, 43oz. 16dwt.
The Arms are those of Daly of Castle Daly impaling Foster for Francis Daly of Ballylee Castle who married Elinor, daughter of Mr. Foster on lst November 1786.

A GEORGE III COMPRESSED OBLONG TEAPOT, initialled and later chased with florai clusters and rococo cartouches on a matted ground, gadroon collar, on four bail feet, the domed

lid with button finial, marked on body and lid, makers mark indistinct, London, 1818, 19oz. 2dwt.
This salver was submitted to The Antique Plate Committee of The Goldsmiths Hall, case no. 5456; the committee was of the opinion that it complied with the Hallmarking Act 1973.

A PAIR OF GEORGE III VASE-SHAPED GOBLETS, engraved with a crest, on knopped pedestal bases, beaded borders and gilt interiors, 63 high, by John King, London, 1782, 14oz. lOdzut.

A GEORGE II BELL-SHAPED TWO-HANDLED CUP,
chased at intervals with vertical rocaille scrolls
and leafage, also with a band of flowers, scroll
and scalework below the rim, leaf-capped double
scroll handles, on a spreading base, 43 high,
аррагепиу no makers mark, Dublin, circa 1752,
lloz. 18dwt.

A GEORGE III BALUSTER SILVER COFFEE РОТ, engraved
with armorials within crossed foliate spravs, leaf
wrapped curved spout, on a spreading base, the
stepped domed lid with urn-shaped finial, П/гт.
high, marked on base and lid, makers mark GS
struck over that of another, London, 1784, 28oz.
2dwt.
V The Arms are those of Clarke of Handsworth, Со. Stafford

A CHANNEL ISLANDS CHRISTENING CUP, the plain
hemispherical body incised S CL, applied scroll
handles, 33Mn. diam., makers mark apparently
TC in an oval, circa 1740, 5oz.

A PAIR OF TABLE SILVER CANDLESTICKS, the crested
shaped circular bases cast and chased with rococo
ornament rising to knopped baluster stems and
sconces, detachable nozzles, decorated through-
out with foliage and blooms, lPin. high,
аррагепиу unmarked, possibly Irish, mid-18th
century, 66oz. 14dwt.

A GEORGE II INVERTED SILVER PEAR-SHAPED TEA KETTLE
AND LAMPSTAND, engraved with armorials within
a rococo cartouche on one side and with a crest on
the other, the upper body and domed lid chased
with scrolls, flowers and foliage on a matted
ground, curved bird head spout, scroll raffia-
wrapped swing handle and pineapple finial, the
circular stand applied with a florai apron, raised
on three scroll supports and shell feet, fixed
burner, 15in. high overall, marked on base and
stand, by Charles Woodward, London, 1747, 55oz.
12dwt.

A GEORGE II SHAPED CIRCULAR WAITER, plain
below the Chippendale border, initialled on the
underside, on three hoof feet, 6 diam.,
makers mark doublestruck, by Joseph Sanders,
London, 1738, 8oz. 12dwt.

DUTCH SILVER SPOONS, SILVER SNUFF BOX, 18TH CENTURY GERMAN BEAKER, BALUSTER SILVER COFFEE JUG, THREE-PRONGED DESSERT FORKS

THREE DUTCH SILVER SPOONS later gilt, with cast stems and emblematic figures forming the finials, others engraved in the bowls, all makers mark only, one а сир, (Voet no. 276,

Harlingen), circa 1750, another apparently by Johannes Jorritsma of Franeker, circa 1820, the third circa 1840.

A FRENCH SILVER-GILT DESSERT SERVICE for
eight, comprising: spoons, forks and knives, the
handles moulded at the terminals with strap-
work cartouches enclosing crests and armorials,
the spoons and forks ргоЪаЫу by Laurent Labbe,
the knives makers mark  O.L., Paris,
circa 1840, one spoon and fork gilt-metal replace-
ments, 26os. 2dwt. (excluding knives, gilt-metal
and case, key).

ANOTHER TWO DUTCH SILVER SPOONS later gilt, with
terminals emblematic of Норе, опе by Hendirk
Kamerlingh II, Amsterdam, 1761, the other
makers mark only, possibly by Gerhard Heimans
of Leeuwarden, circa 1810.

THREE DUTCH SPOONS later gilt, one with а
figure finial symbolising Fame, bearing the
makers mark of Andries Vis and Amsterdam hall-
marks for 1773; another with twin-figure
terminal, makers mark only, possibly by Hendrik
van Manen of Sneek, circa 1785; the third circa
1840.

A FRENCH OVAL SILVER SNUFF BOX, engraved all over
with a reeded design within ribbon borders, the
lid centred by birds on a basket, 3in. (8cm.)
, fully marked, by Claude-Jean Ride, Paris,
1773.

A FRENCH SILVER COFFEE PERCOLATOR of cylindrical
form, fitted with a detachable strainer and lid
centred by a fruit finial, the lower compartment
of bulbous outline, on three slender paw sup-
ports, with a drakes head spigot, detachable
burner (lid missing), 10гЦп. (26cm.) high,
makers mark of Martin-Guillaume Biennais in
cover only, Paris, circa 1817, the loiver compart-
ment struck with a control mark only, 23oz. 14dwt.

Two TABLE CANDLESTICKS, the domed circular
bases with beaded borders, matching cvlindrical
stems and detachable nozzles, (22.3cm.)
high, marks rubbed, probably Dutch, circa 1775,
18oz. 6dwt.

AN EARLY 18TH CENTURY SILVER GERMAN BEAKER, the tapering cylindrical body embossed with busts of warriors within chased foliate ovals and fruit pendants, ЗУгш. (9cm.) high, by

Nathanael Schlaubitz, Danzig, circa 1700, 3oz. 10dwt.

ANOTHER EARLY 18TH CENTURY GERMAN
BEAKER, the tapering cylindrical body chased
with panels depicting Faith and Charitv within
baroque leaf cartouches, alternating with fruit
pendants, on spreading foot,(21.5cm.)
high, by the same maker, Danzig, circa 1700, and
a later Cover, 20oz. 8dwt.

A SILVER AND STAINED FISHSKIN NECESSAIRE DE
VOYAGE, applied with an escutcheon chased in rococo style, reeded borders and a hinged finial, the interior with silver mounted fittings com-prising: a pair of boot jacks, two

button hooks, two razors, a pair of steel scissors, and four manicure requisites, lO^in. (26.4cm.) high, unmarked, ргоЪаЫу Portuguese, 3rd quarter of the 18th century, some

fittings later.

A GEORGE III BALUSTER SILVER COFFEE JUG, in Louis XVI style, the plain body engraved with а Barons crest above the belly, moulded rim featuring re-entrant loop motif on the

spout lip, the domed cover with button finial and plain double scroll thumbpiece, strap handle, 8in. high, marked on base and cover, byJohn Edwards III, London, 1806, 27oz.

13dwt.
A GEORGIAN OVAL SILVER-GILT DISH, engraved
with a widows crest within crossed foliate
sprays, the sides moulded with a pattern of
assymetrical lobate tongue motifs, lPkin. wide,
struck with makers mark RW only,
probably for Richard Williams of Dublin, circa
1770, 16oz. lOdivt.

TWELVE THREE-PRONGED DESSERT FORKS, with
steel tines, the handles stamped with foliage
and scalework, probably by J. Parsons & Со.,
Sheffield, late 18th century.

A GEORGE III OVAL SILVER TEAPOT, later monogram-
med within contemporary bright-cut festoon
enclosed ovals between горе and peliet girdles,
applied with beaded borders, straight spout,
ivory loop handle and finial, high, marked
on base and cover, by Hester Bateman, London,
1782, 16oz. 5dwt.

Six GEORGE III FIDDLE PATTERN SILVER DESSERT SPOONS, by Solomon Hougham, London, 1811, 7oz. ldwt.

Six GEORGE IV FIDDLE PATTERN EGG SPOONS, by W. Cummins, Dublin, 1822, 2oz. 18dwt.

A PAIR OF GEORGE II COMPRESSED CIRCULAR
SALT CELLARS, engraved with armorials below
the moulded rims, each on three hoof feet,
23in. diam., makers mark IW, London, 1736,
7oz. 17dwt.
*** The Arms are those of Sadler, Salisbury, Со. Wilts.

EIGHT WILLIAM IV SILVER FIDDLE PATTERN TEA-SPOONS, crested, by Thomas Meade, Dublin, 1833; and two further examples, initialled on the terminal reverses, Exeter, 1821, Soz.

6dwt.

A GEORGE III INVERTED PEAR-SHAPED BOWL, engraved with a crest below the flared and reeded rim, on a pedestal foot, 5in. diam., by Matthevj West, Dublin, 1790, 7oz. 3dwt.

Six GEORGE III FIDDLE PATTERN DESSERT SPOONS, by John Pittar, 1810; and another, crested, 1834, all Dublin, 6oz. 8dwt.

THE ROCOCO STYLE
The formal, classical designs of the French Regence period (approximately 1700-25) were superseded by the Rococo style which again originated in France and involved the use of highly elaborate asymmetrical
ornament based on natural forms and incorporating rock, shell, plant and marine motifs.
One of the greatest exponents of this extravagant decoration was Juste-Aurele Meissonnier (1695-1750). Born in Turin, he moved to Paris and was admitted to the goldsmiths’ guild in 1725. The only known piece which has survived bearing his mark is a gold snuff box with Paris hallmarks for 1728, but a number of his engravings for designs in silver are in existence ; one example is the candlestick reproduced. A three-light
candelabrum after this engraving, by Claude Duvivier, Paris, 1734-35, is in the Mus6e des Arts Decoratifs, Paris.
Other Parisian silversmiths of world fame are Thomas Germain and his son, Francois-Thomas, who produced some of the most remarkable creations in this style. As a large proportion of 18th-century French silver was destroyed during the Revolution of 1789, it was fortunate for posterity that both father and son worked for the kings of Portugal. A most extensive collection by these makers which has been preserved is in the Museo National de Arte Antiga, Lisbon. A visit to this museum convinces one of the superb craftsmanship displayed by these makers. Thomas Germain held apartments in the Louvre as well as a separate shop in Paris and employed a large staff. He was obviously a prolific maker, but of the relatively small number of pieces of his work which have survived some bear his son’s mark, making identification difficult. It appears that when Francois-Thomas inherited his father’s position at the age of twenty-two he stamped his mark on a number of his father’s works. Francois-Thomas, who benefited from his father’s skill and reputation, came to a disastrous end through extravagance. He was declared bankrupt in 1765 and consequently lost his royal appointments. He died in obscurity in 1791.
Another notable Parisian silversmith, Jacques Roettiers, who was apprenticed to Germain, and another royal gold-Salver by Paul de Lamerie. London 1737
ship. His success is recorded by the number of pieces still in existence in livery companies, museums and private collections. His early works were either in the Queen Anne style or the French Regence manner, but he later developed the asymmetrical designs associated with the Rococo style.
The four pieces illustrated have been taken from the later period, when his finest works were produced. The first, a sideboard dish of 1736, has a border applied and chased with emblems of the Four Elements
interspersed with fish and shells, all linked with garlands of flowers and alternating with grotesque masks at the rim. The centre is applied with a contemporary coat of arms within a cartouche echoing the ornament on
the rim. This piece represents the heavy cast and applied work at which de Lamerie excelled.
The salver of 1737 illustrates another mode of decoration, displaying engraving and flat chasing. A band of rocaille motifs and scrolls appears below the matching fluted rim, and the centre is engraved with a monogram within a typical asymmetrical cartouche.
One of his stock and the other of his tools, patterns and shop fittings, but the sale catalogues have not been discovered. In his will de Lamerie stated that his journeyman, Samuel Collins, was to be paid a certain sum
on condition that Collins fnished plate already in hand, which was then to be sold. Why these pieces made in 1738 should be overstruck with Garden’s mark is difficult to explain. Perhaps they were bought at the auction by Garden and, acting as a retailer, he felt entitled to use his own mark.
The last piece by de Lamerie, a coffee jug of 1747, is in comparison with the other pieces simple in design. If it were not for the well-modelled butterfly finial and delicate leafage at the spout and handle sockets, it
could be by any other English silversmith of the period. Throughout his working life de Lamerie wrought pieces of plain design but obviously his skill in applied ornament and other forms of decoration brought to English silver a standard which has not been surpassed in this country.
Detail of coffee jug by Paul de Lamerie. 1747
Set of three casters in sizes by Paul de Lamerie. 1738
The controversy as to whether armorials and their accompanying cartouches were executed by the silversmiths or were farmed out to engravers will probably continue, but the engraving and other decoration on works by de Lamerie executed at the height of his career are so similar in design that it is quite probable they were carried out in his workshop.
The set of three casters of 1738 contains a variety of decoration, yet there is sufficient restraint to allow the ornament to be appreciated. On the body the applied masks with feather headdress alternate with foliate
swags. The bases are pierced between scale and shell motifs; the covers display piercing and engraving of diaperwork above scroll panels enclosing cornucopias.
These casters are overstruck with the maker’s mark of Phillips Garden, who is reputed to have purchased patterns and dies belonging to de Lamerie after his death. We do know, from the research of Philip A. S. Phillips in his book The Life and Work of Paul de Lamerie, that two auctions did take place.